导语摘要 Chinese sculptural arts have gradually developed their own style over time and managed to display aesthetic features and cultural concepts unique to ancient China. The development of Chinese sculpture parallels the history of the ancient Chinese culture and aesthetics. It is a visible witness to the cultural fusion and exchanges between the Hans and other ethic groups as well as between the Chinese and foreign cultures.
商品简介
Chinese sculptural arts have gradually developed their own style over time and managed to display aesthetic features and cultural concepts unique to ancient China. The development of Chinese sculpture parallels the history of the ancient Chinese culture and aesthetics. It is a visible witness to the cultural fusion and exchanges between the Hans and other ethic groups as well as between the Chinese and foreign cultures.
作者简介 Zhao Wenbing, born in 1975 in Changchun,Jilin Province, is doctoral candidate of the Academy of Arts and Design, Tsinghua University tutored by Prof. Zhang Fuye. She graduated from the Central Academy of Artsand Design in 1999 and worked as a teacher in t
目录 Foreword Beginnings of Chinese Sculpture Pottery sculptures in primitive times Jade sculptures in primitive times Ferocious Beauty of the Central Plains Civilization Shang——Magnificent ferocity Western Zhou——Simple dignity The Spring and Autumn Period and the Warring States Period——Slim and graceful luxury The Mysterious Culture of the Ancient Shu Sanxingdui culture Standing bronze figure with multiple identities Suspected alien bronze heads Large bronze masks with vertical eyes and straight ears Emperor Qin Shihuang's "Underground Army" What are tomb figures? Excavation of Qin terra-cotta warriors and horses Shape of Qin terra-cotta warriors and horses Terra-cotta horses and bronze chariots and horses Chinese realism Magnificent Stone Carvings from the Han Dynasty Large stone carvings The tomb of Huo Qubing Horse Stepping on a Xiongnu Soldier Making a tomb Qilian Mountain Artlessness behind handiness Skillful but not exquisite Carved stone animals in the Eastern Han Dynasty Introduction of Buddhism and the Blending of Cultures Mogao Grotto images Maijishan Grotto images Yungang Grotto images Longmen Grotto images The Dignity of "the Kingdom of Heaven" Guard beast figures in the Wei, ]in, Northern and Southern Dynasties Emperor stone carvings in the Tang Dynasty Pottery figures in the Tang Dynasty tombs Integration of Buddhism, Taoism and Confucianism Painted sculptures at Jinci Temple Buddhist statue at Qinglian Temple Dazu rock carvings "Colorful" sculptures from the Ming and Qing dynasties Ming-style painted sculptures at Shuanglin Temple Statues of 500 Arhats at Qiongzhu Temple Gorgeous Residences Qin tile carvings and Han eaves-tile ornaments Relief sculptures on Que from the Eastern Han Dynasty Ornamental architectural sculptures of the Sui and Tang dynasties Stone architectural sculptures of the Yuan Dynasty Architectural sculptures of the Ming and Qing dynasties Delight of Folk Art Qiaoer "Muhura" Playing toys——Big Afu Hand-made figures based on traditional Chinese operas and Clay Figurine Zhang Sculptural Style in the New Era 1911-1949: Western style gradually played a role in the turbulent eastern world 1949-1979: From revolutionary passion to formula-style art From 1980-the early 21st century: Conceptual sculptural art showing public awareness Appendix: Chronological Table of the Chinese Dynasties
内容摘要 Chinese sculptural arts have gradually developed their own style over time and managed to display aesthetic features and cultural concepts unique to ancient China. The development of Chinese sculpture parallels the history of the ancient Chinese culture and aesthetics. It is a visible witness to the cultural fusion and exchanges between the Hans and other ethic groups as well as between the Chinese and foreign cultures.
主编推荐 Zhao Wenbing, born in 1975 in Changchun,Jilin Province, is doctoral candidate of the Academy of Arts and Design, Tsinghua University tutored by Prof. Zhang Fuye. She graduated from the Central Academy of Artsand Design in 1999 and worked as a teacher in t
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