The contributors to "Negotiated Moment explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the fields tendency toward celebrating improvisations utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisations ability to disrupt power relations, Pauline Oliveross ideas about listening, flautist Nicole Mitchells compositions based on Octavia Butlers science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors close attention to improvisation not only provides a touchstone for examining subjectivities but also offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. "Contributors." George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodriguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, Francois Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong"
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