The most attractive, provocative, and clever urban interventions by a master of the genre. In cities, where does public space stop and privacy begin? Which experiences are purely personal and which ones are driven by commercially motivated impulses? Can we see the city and ourselves for what they actually are amidst the vast array of signs and images clamoring for our attention? The American artist Brad Downey tackles these and other structural, social, and political questions in his work. With the element of surprise firmly on his side, he creates powerful interventions that disrupt the routine of our visual perception. A shopping cart becomes a sculpture, a telephone booth is filled with balloons, and a stop sign is turned upside down. Using elements from film, sculpture, painting, and drawing, Downey creates remarkable work ranging from the spectacular and headline-making to the small, delicate, and almost hidden. Downey's interventions in the cityscape can be spontaneous,
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