现货Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture (Film and Culture)[9780231183703]

758 九五品

库存2件

上海宝山

认证卖家担保交易快速发货售后保障

作者Menne, Jeff

出版社Columbia University Press

ISBN9780231183703

出版时间2019-02

装帧精装

纸张其他

页数272页

正文语种英语

上书时间2023-04-14

已实名已认证进店收藏店铺

商品描述: The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood's corporate project. Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas's Bryna Productions, Altman's Lion's Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system's scleroti

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