梅兰芳与京剧（英）
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河北衡水
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作者梅绍武 著
出版社新世界出版社
出版时间2014-08
版次1
装帧平装
货号2-1-1411
上书时间2023-01-30
商品详情
- 品相描述：八品
图书标准信息
- 作者 梅绍武 著
- 出版社 新世界出版社
- 出版时间 2014-08
- 版次 1
- ISBN 9787510450266
- 定价 38.00元
- 装帧 平装
- 开本 16开
- 纸张 胶版纸
- 页数 198页
- 【内容简介】
-
Huang Zuolin was born in Tianjin. In 1925 he went to the UK to study business, and started to learn drama there. He once studied with George Bernard Shaw, the British drama master. In 1935 he returned to Britain with his wife Jin Yunzhi, and studied Shakespeare at King's College Cambridge. He also learned directing at the London Academy of Dramatic Art. During the nearly 60 years of his artistic career, he directed over 100 stage plays and films. In 1988 he was honored with a Lifetime Award for Directing and Rejuvenating Stage Plays by the China Stage Play Research Institute.
Mei Shaowu, formerly known as Mei Baozhen and second son of Mei Lanfang, master of the art of Peking Opera, graduated from the Yenching University. He was member of the Sixth, Seventh, Eighth and Ninth CPPCC National Committees, honoary president of the China Mei Lanfang Memorial Hall and chairman of China Mei Lanfang Culture and Art Research Society, and successively cadre in the International Exchange Office of the National Library of China and research fellow of the Institute of the United States of the Chinese Academy of Social Sciences. Mei Shaowu was also a famous translator of British and American literaure, critic, dramatist and writer. In 2004 he was given the honorary title of senior tranlator by the Translators Association of China.
WuZuguang
PEKINGOPERA--ACOMPREHENSIVEARTFORM
THEORIGINOFPEKINGOPERA
SYMBOLISMINACTING
MUSIC，DIALOGUESANDSONGS
DIFFERENTTYPESOFROLES
MAKE-UP，COSTUMESANDPROPS
MEILANFANG--THEGREATMASTEROFPEKINGOPERA
BORNTOAFAMILYOFACTORS
BOTHSUCCESSORANDPIONEER
SECRETOFHISSUCCESS
ATTRACTIVEPERSONALITY
MEILANFANG，STANISLAVSKY，BRECHT--ASTUDYINCONTRASTS
HuangZuolin
ENDLESSSEARCHFORNEWTHEATRICALTRUTHS
SALIENTFEATURESOFTRADITIONALCHINESETHEATER
BRECHT'STHEORYOFDRAMAINCO
STANISLAVSKY'S
COMMONFEATURESOFTHREEGREATMASTERSOFREALISM
THEMOSTBASICDIFFERENCE
ANAPPRECIATIONOFMEILANFANG'SART
DIFFERENTDRAMATICCONCEPTSANDMETHODS
BRECHT'SADOPTIONOFCHINESETHEATRICALTECHNIQUES
ANINTERESTINGQUESTIONOFGOODORBADACTING
TECHNIQUESOFCHINESETRADITIONALACTING
INNERCHARACTERISTICSOFCHINESETHEATER
REFLECTIONSONMYSTAGELIFE
MeiLanfang
MYFIRSTAPPEARANCEONTHESTAGE
HOWIPLAYINMYTWOFAVORITEOPERAS
MYNEWOPERAMUGUIYINGTAKESCOMMAND
ARTISTICPERCEPTIONANDJUDGEMENT
MEILANFANGASSEENBYHISFOREIGNAUDI
CRITICS
MeiShaowu
EARLYEFFORTSTOPOPULARIZEPEKINGOPERAAMON
AUDIENCES
FIRSTPERFORMANCEBEFOREAFOREIGNAUDIENCE
VISITSTOJAPAN
ENTERTAININGFOREIGNGUESTSATHOME，PROPOSALFORU．S．TOUR
SUCCESSFULU．S．TOUR
AMERICANHOSPITALITY
SENTIMENTSOFTHEAUDIENCES
MEILANFANGINTHEEYESOFU．S．CRITICS
"HIGHESTPOINTINTHESEASON'STHEATER"
"GREEKANDELIZABETHANPARALLELS"
"DEXTEROUSREALISM"
"ACTOR，SINGERANDDANCERCOMBINED"
"AMBASSADOROFCHINESECULTURE"
AGREATSTAGESUCCESSINTHESOVIETUNION(1935)
PRESSCOMMENTS
SWAPPINGEXPERIENCES
STANISLAVSKY'SINTERPRETATION
EISENSTEIN'SAPPRAISAL
FRIENDSHIPWITHTAGORE
WITHBERNARDSHAWANDPAULROBESON
AGUIDETOPEKINGOPERA
1．THETYPESOFROLES
2．SINGINGANDDECLAMATION
3．PANTOMIMEANDACTING
4．COSTUMES
5．STAGEPROPERTIESANDSYMBOLISM
6．MUSICALINSTRUMENTS
APPENDIX：SYNOPSESOF25PEKINGOPERAS
THEORPHANOFTHEZHAOS
THEGENERALANDTHEMINISTERARERECONCILED
BEAUTYDEFIESTYRANNY
THEKING'SPARTINGWITHHISFAVORITE
ZHAOJUNCROSSINGTHEFRONTIER
THEEMPTYCITYRUSE
THECROSSROADS
THEWHITESNAKE
HAVOCINHEAVEN
YANDANGMOUNTAIN
THEDRUNKENBEAUTY
THEHEROINESHESAIHUA
MUGUIYINGTAKESCOMMAND
QINXIANGLIAN，THEFORSAKENWIFE
CALLINGOFFTHEFEAST
WILDBOARFOREST
THEFISHERMAN'SREVENGE
AUTUMNRIVER
PICKINGUPAJADEBRACELET
CHUNXIANGUPSETSTHESTUDY
THEFAIRYOFAZURELAKE
SELLINGWATER
DONATINGAPEARLONRAINBOWBRIDGE
LADYMAGNOLIA
ROMANCEOFANIRONBOW
INDEX
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