Norton Critical Editions Cane 英文原版 公民凯恩 诺顿文学解读系列
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作者Jean Toomer
出版社WW Norton
ISBN9780393931686
出版时间2011-01
印刷时间2011-01
印数1千册
装帧平装
开本32开
纸张轻型纸
页数560页
字数1千字
定价245元
上书时间2024-03-08
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基本信息
By (author) Jean Toomer , Edited by Rudolph P. Byrd , Edited by Jr. Henry Louis Gates
Format Paperback | 560 pages
Dimensions 132 x 213 x 30mm | 545g
Publication date 06 Jan 2011
Publisher WW Norton & Co
Publication City/Country New York, United States
Language English
Edition Revised
Edition Statement Second Edition
ISBN10 0393931684
ISBN13 9780393931686
页面参数仅供参考，具体以实物为准
内容简介
Originally published in 1923, Jean Toomer's Cane remains an innovative literary work-part drama, party poetry, part fiction. This revised Norton Critical Edition builds upon the First Edition (1988), which was edited by the late Darwin T. Turner, a pioneering scholar in the field of African American studies. The Second Edition begins with the editors' introduction, a major work of scholarship that places Toomer within the context of American Modernism and the Harlem Renaissance. The introduction provides groundbreaking biographical information on Toomer and examines his complex, contradictory racial position as well as his own pioneering views on race. Illustrative materials include government documents containing contradictory information on Toomer's race, several photographs of Toomer, and a map of Sparta, Georgia-the inspiration for the first and third parts of Cane. The edition reprints the 1923 foreword to Cane by Toomer's friend Waldo Frank, which helped introduce Toomer to a small but influential readership. Revised and expanded explanatory annotations are also included.
"Backgrounds and Sources" collects a wealth of autobiographical writing that illuminates important phases in Jean Toomer's intellectual life, including a central chapter from The Wayward and the Seeking and Toomer's essay on teaching the philosophy of Russian psychologist and mystic Georges I. Gurdjieff, "Why I Entered the Gurdjieff Work." The volume also reprints thirty of Toomer's letters from 1919-30, the height of his literary career, to correspondents including Waldo Frank, Sherwood Anderson, Claude McKay, Horace Liveright, Georgia O'Keeffe, and James Weldon Johnson.
An unusually rich "Criticism" section demonstrates deep and abiding interest in Cane. Five contemporary reviews-including those by Robert Littell and W. E. B. Du Bois and Alain Locke-suggest its initial reception. From the wealth of scholarly commentary on Cane, the editors have chosen twenty-one major interpretations spanning eight decades including those by Langston Hughes, Robert Bone, Darwin T. Turner, Charles T. Davis, Alice Walker, Gayl Jones, Barbara Foley, Mark Whalan, and Nellie Y. McKay.
A Chronology, new to the Second Edition, and an updated Selected Bibliography are also included.
简·图默（Jean Toomer）的《拐杖》最初出版于1923年，至今仍是一部创新的文学作品，包括戏剧，派对诗歌，小说。经修订的诺顿批判版以第一版（1988）为基础，该版由已故的非裔美国人研究领域的先驱达尔文·特纳（Darwin T. Turner）编辑。第二版从编辑的介绍开始，这是一项主要的学术研究，使Toomer处于美国现代主义和哈林文艺复兴时期。引言提供了有关图默尔的开创性传记信息，并考察了他复杂，矛盾的种族立场以及他对种族的开创性见解。说明性材料包括政府文件，其中包含有关图默尔种族的矛盾信息，几张图默尔的照片以及斯巴达地图，乔治亚州-甘蔗第一部分和第三部分的灵感来源。该版本重印了1923年Toomer的朋友Waldo Frank给Cane的前言，这有助于向少量但有影响力的读者介绍Toomer。修订和扩展的解释性注释也包括在内。
“背景与资源”收集了大量自传体著作，阐明了吉恩·汤默（Jean Toomer）知识生活中的重要阶段，其中包括《任性》和《寻求与Toomer》论文中有关教授俄罗斯心理学家和神秘主义者乔治·I·古杰夫（Georges I. Gurdjieff）的论文的中心章节，“为什么我进入了葛吉夫工作。” 该书还重印了19岁至30年间Toomer的三十封信件，这是他的文学生涯的最高水平，发给通讯员，包括Waldo Frank，Sherwood Anderson，Claude McKay，Horace Liveright，Georgia O'Keeffe和James Weldon Johnson。
一个异常丰富的“批评”部分展示了对甘蔗的浓厚而持久的兴趣。五项当代评论-包括Robert Littell和WEB Du Bois和Alain Locke的评论-首次接受了此评论。从关于甘蔗的大量学术评论中，编辑们选择了八十年来的二十一种主要解释，包括兰斯顿·休斯，罗伯特·波恩，达尔文·特纳，查尔斯·戴维斯，爱丽丝·沃克，盖尔·琼斯，芭芭拉·弗利，马克Whalan和Nellie Y. McKay。
还包括第二版的年表和更新的精选书目。
作者简介
Jean Toomer (1894-1967) was born in Washington, D.C., the son of educated blacks of Creole stock. Literature was his first love and he regularly contributed avant garde poetry and short stories to such magazines as Dial, Broom, Secession, Double Dealer, and Little Review. After a literary apprenticeship in New York, Toomer taught school in rural Georgia. His experiences there led to the writing of Cane. Rudolph P. Byrd (Ph.D. Yale University) is the Goodrich C. White Professor of American Studies in the Graduate Institute of the Liberal Arts and the Department of African American Studies and the founding director of the James Weldon Johnson Institute for Advanced Interdisciplinary Studies at Emory University. He is the author and editor of ten books, including Jean Toomer's Years with Gurdjieff; Essentials by Jean Toomer with Charles Johnson; Charles Johnson's Novels: Writing the American Palimpsest; The Essential Writings of James Weldon Johnson; and with Alice Walker The World Has Changed: Conversations with Alice Walker. Among Professor Byrd's awards and fellowships are an Andrew W. Mellon Fellowship at Harvard University; Visiting Scholar at the Bellagio Study and Conference Center; and the Thomas Jefferson Award from Emory University. He is a founding officer of the Alice Walker Literary Society. Henry Louis Gates, Jr. (Ph.D.Cambridge), is Alphonse Fletcher University Professor and Director of the W. E. B. Du Bois Institute for African and American Research, Harvard University. He is the author of Life Upon These Shores: Looking at African American History, 1513-2008; Black in Latin America; Tradition and the Black Atlantic: Critical Theory in the African Diaspora; Faces of America; Figures in Black: Words, Signs, and the Racial Self; The Signifying Monkey: A Theory of Afro-American Criticism; Loose Canons: Notes on the Culture Wars; Colored People: A Memoir; The Future of Race with Cornel West; Wonders of the African World; Thirteen Ways of Looking at a Black Man; and The Trials of Phillis Wheatley. His is also the writer, producer, and narrator of PBS documentaries Finding Your Roots; Black in Latin America; Faces of America; African American Lives 1 and 2; Looking for Lincoln; America Beyond the Color Line; and Wonders of the African World. He is the editor of African American National Biography with Evelyn Brooks Higginbotham, and The Dictionary of African Biography with Anthony Appiah; Encyclopedia Africana with Anthony Appiah; and The Bondwoman's Narrative by Hannah Crafts, as well as editor-in-chief of TheRoot.com.
吉恩·汤默（Jean Toomer，1894-1967年）生于华盛顿特区，是克里奥尔族裔受过教育的黑人的儿子。文学是他的初恋，他定期为Dial，Broom，Secession，Double Dealer和Little Review等杂志撰写前卫诗歌和短篇小说。在纽约接受文学学徒训练后，Toomer在佐治亚州乡村的乡村教书。他在那里的经历促成了甘蔗的创作。鲁道夫·P·伯德（鲁道夫·P·伯德）（耶鲁大学博士）是人文科学研究生院和非裔美国人研究系美国研究的古德里奇·怀特教授，也是詹姆斯·韦尔顿·约翰逊高级跨学科研究所的创始主任。在埃默里大学学习。他是十本著作的作者和编辑，其中包括让·杜默（Jean Toomer）与葛吉夫的往事；Jean Toomer和Charles Johnson撰写的要点；查尔斯·约翰逊（Charles Johnson）的小说：写《美国Palimpsest》詹姆斯·韦尔顿·约翰逊的基本著作；与爱丽丝·沃克（Alice Walker）一起，世界已经改变：与爱丽丝·沃克（Alice Walker）的对话。伯德教授的奖项和研究金包括哈佛大学的安德鲁·梅隆（Andrew W. Mellon）奖学金；贝拉焦研究与会议中心访问学者；以及埃默里大学的托马斯·杰斐逊奖。他是爱丽丝·沃克文学社的创始官员。亨利·路易斯·盖茨，小博士（博士，剑桥大学），阿方斯·弗莱彻大学教授，哈佛大学WEB杜波依斯非洲和美洲研究学院院长。他是《海岸上的生活：看非裔美国人的历史》（1513-2008年）一书的作者。拉丁美洲黑人；传统与黑大西洋：非洲侨民的批判理论；美国的面孔；黑色数字：文字，符号和种族自我；象征猴子：美国黑人批评理论；松散的佳能：文化大战笔记；有色人种：回忆录；与Cornel West竞赛的未来；非洲世界奇观；看着黑人的十三种方法；以及《菲利斯·惠特利的审判》。他还是PBS纪录片《寻根》的作家，制片人和叙述者。拉丁美洲黑人；美国的面孔；非裔美国人的生活1和2；寻找林肯；超越种族界限的美国；和非洲世界奇观。他是Evelyn Brooks Higginbotham的《非裔美国人国家传记》的编辑，以及Anthony Appiah的《非洲传记词典》的编辑。《非洲百科全书》和安东尼·阿皮亚；和The Bondwoman'
书籍目录
Introduction
* Rudolph P. Byrd and Henry Louis Gates Jr.: "Song of the Son": The Emergence and Passing of Jean Toomer
Jean Toomer's Racial Self-Identification: A Note on the Supporting Materials
*Draft Registration, June 5, 1917
*1930 Census
*Detail of 1930 Census
*1931 Marriage Certificate
*Draft Registration, April 24, 1942
The Text of Cane
Waldo Frank * Foreword to the 1923 Edition of Cane
Map of Sparta, Georgia
Backgrounds and Sources
Background Texts
Jean Toomer * The Cane Years
* Why I Entered the Gurdjieff Work
Correspondence
To Alain Locke, November 11, 1919
To Georgia Douglas Johnson, December 1919
To Georgia Douglas Johnson, January 7, 1920
To Georgia Douglas Johnson, February 20, 1920
To Alain Locke, December 24, 1920
To Alain Locke, January 26, 1921
To Alain Locke, November 8, 1921
To Alain Locke, November 1921
To Waldo Frank, March 24, 1922
Waldo Frank to Jean Toomer, April 25, 1922
To Waldo Frank, April 26, 1922
To Waldo Frank, August 21, 1922
To John McClure, July 22, 1922
To Claude McKay, July 23, 1922
To the Editors of The Liberator, August 19, 1922
To Alain Locke, October 1, 1922
To Gorham B. Munson, October 31, 1922
To Sherwood Anderson, December 18, 1922
To Sherwood Anderson, December 29, 1922
To Waldo Frank, December 1922
To Waldo Frank, December 12, 1922
To Alain Locke, January 2, 1923
To Waldo Frank, early January 1923
To Waldo Frank, early to mid January 1923
To Waldo Frank, early January 1923
To Horace Liveright, January 11, 1923
To Horace Liveright, February 27, 1923
To Horace Liveright, March 9, 1923
To Horace Liveright, September 5, 1923
To Countee Cullen, October 1, 1923
To Georgia O'Keeffe, January 13, 1924
To James Weldon Johnson, July 11, 1930
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