Inga Vesper是一名记者和编辑。她从德国搬到英国,从事护理工作,之后写作和探索的冲动将她带到了新闻界。作为一名记者,她报道了验尸官法庭,并能够观察到家庭、邻居和警察对可疑死亡事件的反应。英格曾在叙利亚和坦桑尼亚工作过,但现在住在格拉斯哥,因为没有比在雨天偷听苏格兰咖啡馆里的闲聊更好的方式来寻找一个好故事了。
Yesterday, I kissed my husband for the last time . . .
It's the summer of 1959, and the well-trimmed lawns of Sunnylakes, California, wilt under the sun. At some point during the long, long afternoon, Joyce Haney, wife, mother, vanishes from her home, leaving behind two terrified children and a bloodstain on the kitchen floor.
While the Haney's neighbours get busy organising search parties, it is Ruby Wright, the family's 'help', who may hold the key to this unsettling mystery. Ruby knows more about the secrets behind Sunnylakes' starched curtains than anyone, and it isn't long before the detective in charge of the case wants her help. But what might it cost her to get involved? In these long hot summer afternoons, simmering with lies, mistrust and prejudice, it could only take one spark for this whole 'perfect' world to set alight . . .
A beguiling, deeply atmospheric debut novel from the cracked heart of the American Dream, The Long, Long Afternoon is at once a page-turning mystery and an intoxicating vision of the ways in which women everywhere are diminished, silenced and ultimately under-estimated.
Everyone is talking about The Long, Long Afternoon
'Beguiling and evocative. This vivid and atmospheric pageturner will keep readers guessing all the way to its satisfying finale'
Sunday Express
'Beautifully crafted, claustrophobic and compelling. As delicious as a long drink on a hot day'
Stacey Halls, Sunday Times bestselling author of The Familiars and The Foundling
'Such a vivid atmosphere of stifling LA heat and stifling 50s domesticity'
Clare Chambers, author of Small Pleasures
'Breathtakingly stylish, hypnotic and masterfully gripping'
Chris Whitaker, author of We Begin at the End, Waterstones Thriller of the Month
'A triumph. What a pleasure to read something fresh and original. For once the hype is justified and Inga Vesper's gripping page turner must surely now be bound for Netflix'
Evening Standard
'A tasty, tense, page-turning combo of James Ellroy and Kate Atkinson with a bit of Mad Men thrown in'
Liz Hyder
'For fans of Revolutionary Road and Mad Men, this is an atmospheric tale of repression and style at the heart of the American Dream' Stylist
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