Diversities in Aesthetics:Selected Papers of The 18th Congress of International Aesthetics
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作者高建平、彭锋、叶朗 著
出版社中国社会科学出版社
出版时间2013-07
版次1
装帧平装
上书时间2024-07-04
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- 品相描述:全新
图书标准信息
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作者
高建平、彭锋、叶朗 著
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出版社
中国社会科学出版社
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出版时间
2013-07
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版次
1
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ISBN
9787516129401
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定价
168.00元
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装帧
平装
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开本
16开
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纸张
胶版纸
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页数
755页
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正文语种
英语
- 【内容简介】
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《DiversitiesinAesthetics:SelectedPapersofThe18thCongressofInternationalAesthetics(英文版)》共分为八部分,主要内容包括:NewApproachestoAesthetics、AestheticsofHumanBody、HistoryofWesternAestheticsandArt、ChineseAestheticsandArt、ComparativeAesthetics:EastandWest等。
- 【目录】
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SpeechforOpeningCeremoniesInternationalCongressforAestheticsBeijing,August,2010
OpeningceremonyICA,Beijing,August,2010
ⅠNewApproachestoAesthetics
JosephMargolis,TheQuestionofObjectiveValueinaGlobalWorld
WolfgangWelsch,AtPointZeroofCreation
Ale(s)Erjavec,Art:Modern,Postmodern,RelationalorContemporary?
WilliamL.McBride,PhilosophyandLiteratureasProgramandasIdeal
WongMuk,FictionalEmotionandItsRationality
René;evandeVail,PlayingSurveillance:OnRules,Technology,Intimacy,andArt
SibelKihc,Socio-PoliticalandCulturalInfluencesOverTransformationandTransitionofArtistsandArtworksinPostmodernistMilieu
SixtoJ.Castro,BeautyasaNecessaryConditionofArt,andItsRoleintheBuildingofaSociety
NadezdaCacinovic-Puhovski,ArtasanObjectandtheSocialLifeofThings
AlexandraBelezaMoreira,ImageStrangenessandPossibility
AnnuWilenius,BareHouse.Pori-Rotterdam-Ulaanbaatar:OnNomadicandModernistSpatialIdeals
DarkoStrajn,Counter-IdentificationandPoliticsofArt
PolonaTratnik,Transaesthethetics:Aesthetics,ArtandScienceafterthePostmodernTurn
JingeunCho,FromAestheticstoVisualCultureCriticism:FocusingontheCritiqueofthePowerofImage
KengoMiyazono,ImaginativeResistanceandTruthinFiction
NoelCarroll,ComicAmusement,EmotionandCognition
TainaRajanti,CapitalismandAisthesis——Life,AppearanceandArtinWalterBenjamin'sWork
UllaKarttunen,ArtasCrime:ThePossibilityofCriticalArtinaMarket-basedSociety
MasashiOishi,TheLogicofImagination:DialecticsofObjectificationandSignification
ThroughtheCorrelativeandtheSelf-ReflectiveRelationshipBetweenSubject(theinner)andObject(theouter)(202)
ⅡAestheticsofHumanBody
AkihisaIwaki,TheBodyasanImageProcessor
YosakuMatsutani,TouchMeIfYouCan!:AHistoricalAnalysisoftheControloftheHumanBodyThroughImage
KikukoToyama,ArsVivendiReclaimed:OntheVirtueoftheBodyin"Neo-Pre-Modernist"ArtPractices
ⅢHistoryofWesternAestheticsandArt
AengusDaly,ArtandTechnology——TwoOriginsofTruth:AristotleandHeideggeronBeing,TimeandtheProblemofMovement
SherylTuttiRoss,AestheticAkrasia,GuiltyPleasures,andthePoliticsofFeministResponsestoArt
AlbertvanderSchoot,WhenDidtheGoldenSectionBecomePartoftheTheoryoftheMaker?
JunkoNinagawa,TouchinganImage——BorderIlluminationoftheFlandersManuscriptsduringtheAgeofJohannesGutenberg
YuHyunju,TheStudyoftheCorrelationofAdorno's"AestheticNominalism"withPostmodernArtTheory
FutoshiHoshino,Avant-gardeArtandCapitalism:AnAspectofthe"Sublime"inJ.-F.Lyotard
AycaMazman,ACriticismofWeinbergandMeskin'sAlternativeAccountoftheCognitiveImagination
NorihideMori,TheDevelopmentofSartreanEthicsAfterWorldWarⅡ:MoralAttitudesinArtisticRelation
MehrnazMolavi,AestheticExperienceanditsInteractionwithKnowledge
ⅣCity,CountrysideandEnvironment
ArnoldBerleant,TheAestheticPoliticsofEnvironment
AllenCarlson,TenStepsintheDevelopmentofWesternEnvironmentalAesthetics
JoosikMin,PlayingNature:AestheticImplicationof"RecordonPlayingMountain"
YurikoSaito,FutureDirectionsforEnvironmentalAesthetics
RaffaeleMilani,TheAestheticsoftheAntiqueCity
TugbaErdil,ReadingthePostmodernOnBuiltEnvironment:UrbanAestheticsofIstanbulandCulturalAspectsBehind
ⅤChineseAestheticsandArt
CurtisL.Carter,ChineseContemporaryArt:TheChallengesofUrbanizationand
Globalization
MaryWiseman,WaterandStone:ContemporaryChineseArtandtheSpiritResonanceoftheWorld
DavidAdamBrubaker,NaturalBeautyandLiteratiStroke:Shitao,Merleau-PontyandthePracticeofPainting
PengFeng,PresenceandAbsence:AnAestheticAnalysisofTraditionalChineseArts
DingGuoqi,MarxistAestheticsinChina
ⅥOtherNon-WesternAestheticsandArt
TanehisaOtabe,JapaneseAestheticsfromanInter-CulturalPerspective
FumikazuKishi,TheViewoftheMountainsWas"Amusing":SurveyingtheApplicationoftheJapaneseAestheticTermOmoshiroshitoNature
HaruhikoFujita,NatureandModernArchitecture:TheReawakeningofNatureinAsianArchitectureinthe1920s
KeikoIshida,JapaneseWarFilmsandRecentPoliticalDiscourseinJapan
KyokoOzawa,HousuiYamamoto'sTheReturnofUrashimaandtheGreco-RomanPhantasmintheThirdDecadeoftheMeijiEra
JungAHuh,TheAestheticsofBetweeninKoreanCulture
MajidHeidary,PersianPaintingasa"NarrativeConstructionofReality"
ImaculadaKangussu,AlogiaandLoveinMacunaima
RonelAlbertidaRosa,Mekango(People-drawing):GraphicsandSpatialityamongBrazilianIndiansasaNonverbalLanguage
RosaFernandez-G6mez,SavouringtheRasaofLife:TheArtfulYogiinKashmirSaivism
ShuchitaMehta,AestheticPleasure:AUniqueSynthesisofIndianPoeticsandtheUpanishadicThought
ⅦComparativeAesthetics:EastandWest
GaoJianping,TheWheelofFortunevs.theMustardSeed:AComparativeStudyofEuropeanandChinesePainting
RobertWilkinson,TheAestheticandtheReligiousinPlotinusandNishida
WeststerijinThijs,TheFirstWesternDefenseofChineseAesthetics:IsaacVossius'sOntheArtsandSciencesoftheChinese(1685)
NiuHongbao,ConsciousnessofTimeandChineseTraditionalAestheticStyles:AComparativePerspective
PeterLeech,AestheticEleganceCulturalComplicities:JapanandtheWest
AynurCan&RecepBozlagan,AComparativeStudyoflstiklalStreetandKartnerStrasse
ⅧAestheticsofVariousArts
DalilaHonorato,TheSymbolicAestheticsofShadowPlayorthePerseveranceofPuppetTheatreintheDigitalAge
ElahiTowfique,Re/presentingTheArtofMononoAwareandtheQuestionofJapanesenessinOzu'sNorikoTrilogy
ErayChou,ArtNarratives:TheEnd,ortheEmergenceofaNewnorm?
KinyaNishi,AMulticulturalApproachtotheIdeaofTragedy
MichaelRanta,StoriesinPictures(andNon-PictorialObjects)——ANarratologicalandCognitivePsychologicalApproach
Mi-JungKang,DigitalPhotographyandtheProblemoflndexicality:Revising"Photo-IndexTheory"fromaPeirceanPointofView
MojcaPuncer,ArticulationsofSpace,Community,Neighborhoods-Poetics,MicropoliticsinContemporaryArt:AFewExamples
JongChulChoi,TheatricalitybetweenAestheticsandPolitics:TheEthicsofPhotography
SakuramaYuko,InstallationArtandArchitecturalIdea
MasashiSasaki,WhyCan'tWeDiscernAnythingBut"Constant"or"Dissonant"inOrnetteColeman'sImprovisation?——Concerning"ModulationThroughKeys"and"Chromatic"
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