目录 Introduction Epic,Romance,Lay and Ballad:W.P.Kers Pivotal Role in the History of Scholarship What Can We Leam from EPics and Romances? Epic and Romance in Welsh and Irish The Hybrid Chansons de geste:An Epic—Romance Compromise? Beginnings and Endings in the Elegiac Poetry of the Early Medieval North The Icelandic Family Sagas:W.P.Ker and Interpreting the Historical Elements,a Post—Colonial Struggle The Dialogic Town in the Arthurian Romances of Chrtien de Troyes Middle English Romance:The Strange Tale of the English Axemen and the Norman Knights The Epic Scale of Heroic Geographies:Beowulf,Waldere,and Waltharius The Queens of Beowulf Gender,Violence and Community “Mythology Within Bounds”:Heroic Narrative in Eddic Poetry The Narrative Plan of NjalSaga The Nibelungenlied,Kudrun,Biterolf und Dietleib:Some Observations on the Concept of the Heroic and the“Genre”of Medieval German Heroic Epic The Nibelungenlied and W.P.Ker:Older Philology and the Future of Medieval Studies The Persistence of the Heroic Ideal in Post—Heroic Age Scandinavian Romance Literature Mediterranean Border Epics:Frontier Ethos in Cantar de Mio Cid and Digenes Akrites Representing the Sensorium in Medieval Romance:Sir Gawain and the Green Knight and Other Texts Mixture and MiscIlief in a Medieval Irish Heroic Tale Celtic Influence on French Romance Fighting the Giant in French Epic and Romance Arthul Meets Charlemagne:Echoes of chansons de geste in French verse romances from Chrdtien de Troyes to Escanor A View from the Printshop:Malory,Caxton,and Medieval Narrative Form
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