作者简介: Fang Lili holds a PhD from the Department of Art History at the Central Academy of Art and Design. She completed her post-doctoral research at the Anthropology Research Institute of Peking University under the tutelage of Mr.Fei Xiaotong. She is currently director of the Art Anthropology Center at China Art Research Institute and vice president, research fellow and doctoral advisor of the Chinese Culture Research Institute at China Art Research Institute. She is also a member of the National Intangible Cultural Heritage Preservation Experts Committee and president of China Art Anthropology Society. In addition to art anthropology research and education, she is also dedicated to the preservation of cultural heritage. In recent years, she has completed a significant number of field investigations and written various books. 内容简介: 陶器的出现,意味着人类对水、火和泥土的征服,是在具备了一定的技术条件下有能力改造物质环境的结果。在陶器产生和应用的过程中,不仅以其形态上的分工标志着人类生活的精致化程度,不断拓展着人类在实用领域的技术与智能,而且最终发展为实用与审美功能兼备的艺术产品。 目录: Preface The Primitive Types of Ceramics Primitive Colored Pottery Black Earthenware White Pottery and Primitive Porcelain The Terracotta Warriors and Clay Sculptures of the Qin and Han Millennia Celadon Porcelain Yue Wares Deqing Wares Longquan Wares Yaozhou Wares The Tri-Color Glazed Porcelain The Age of Porcelain The Five Great Kilns Blue and White Wares (Qinghua Ci) Wucai Porcelain Fencai Porcelain Zisha-the Taste of Tea Export Ware of the Ming and Qing Dynasties The Trade of the Artisans Contemporary Chinese Ceramics Appendix: Chronological Table of the Chinese Dynasties
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