目录 PREFACE BIOGRAPHICAL NOTE INTRODUCTION PART ONE. TECHNIQUE I. EQUIPMENT OF THE PAINTER II. REPRESENTATION OF FORMS III. DIVISION OF SUBJECTS IV. INSPIRATION PART TWO. THE EVOLUTION OF CHINESE PAINTING I. ORIGINS II. BEFORE THE INTERVENTION OF BUDDHISM III. THE INTERVENTION OF BUDDHISM IV. THE T‘ANG PERIOD—SEVENTH TO TENTH CENTURIES V. THE SUNG PERIOD—TENTH TO THIRTEENTH CENTURIES VI. THE YüAN PERIOD—THIRTEENTH AND FOURTEENTH CENTURIES VII. THE MING PERIOD—FOUR TEENTH TO SEVENTEENTH CENTURIES VIII. THE CH‘ING PERIOD—SEVENTEENTH TO TWENTIETH CENTURIES CONCLUSION BIBLIOGRA PHY INDEX OF PAINTERS AND PERIODS
The Chinese Fairy Book comprehensively represents the features of Chinese fairy tales. "There is no child who will not enjoy their novel color, their fantastic beauty, their infinite variety of subject."
精彩内容 《中国民间故事》选取了73个中国民间故事,囊括了诸多类型,如童话故事、神话故事、圣人和术士传说、自然和动物故事、鬼故事、历史传说等。 The seventy-three stories presented in The Chinese Fairy Book after original sources, embracing "Nursery Fairy Tales," "Legends of the Gods," "Tales of Saints and Magicians," "Nature and Animal Tales," "Ghost Stories," "Historic Fairy Tales," and "Literary Fairy Tales," represent a varied collection of oriental fairy tales.
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