正版新书 影坛备忘录 张伟 9787567145047

《影坛备忘录》为“海派文献丛录-电影系列”之一，由图像文献大家、上海图书馆张伟研究馆员整理汇编。该书共收录20世纪三四十年代发表在民国报刊上的7部“连载长文”：杨德惠的《电影掌故》（1938年）、永康的《银灯逸话》（1938年）、吴承达的《旧货摊》（1940年）、薛广畿的《影坛备忘录》（1941年）、幼辛的《怀古录》（1945年）、周令素的《“影戏大王”张善琨》（1945年）和徐碧波的《艺海沧桑》（1947年）。上述报刊连载之文，或许影界掌故、明星逸话，不乏道听途说、茶余谈资，但作者大都秉承尚实求真、持论公允的态度，并且以在场人的身份撰写，使书稿所收文具有了弥补电影史之不足的重要文献价值，一定意义上填补了电影史的空白。这次整理出版，编者则配用了紧扣文章内容的约两百幅珍贵图片，对理解内容拓展视野大有裨益。

张伟，上海图书馆研究馆员。从事近代文献整理与研究逾三十年，相继主持“上海年华”、“民国电影”“国际名流与近代上海”等多个学术项目，长期耕耘于图像文献和城市文化史等领域。著作有《满纸烟岚》、《都市-电影-传媒：民国电影笔记》《遥望土山湾-追寻逝去的文脉》《西风东渐：晚清民初上海艺文界》《风起青萍：中国近代都市文化圈》《晚清都市的风情画卷:上海小校场年画从崛起到式微》等十余种；并主编《历史记录：中国与世博（1851-1940）》《中国近现代话剧图志》、《上海图书馆藏历史原照》（上下册）、《中国现代电影期刊全目书志》《上海:一个世纪的公共空间》《中国木版年画集成:上海小校场卷》、《民国时期电影杂志汇编》（167卷）、《海派书画文献汇编》《笔墨长城-宣传画里的中国抗战》（三卷本）“海派文献丛录”（10卷）、《唐大郎文集》（12卷）等图文书籍多种；策划有60集系列专题片《记忆电影》、20集系列专题片《老电影老上海》、4集系列专题片《近代上海城市文化》等大型电视节目。

目 录

电影掌故 / 杨德惠

上海有影院，加伦白克是鼻祖 ·····················································3

雷蒙斯的发展史 ·····································································5

葡籍影商郝斯佩 ·····································································7

中央影戏公司的兴亡 ·······························································9

煊赫一时的联合公司 ······························································11

国人经营影院的回顾 ·····························································13

儿童电影院的昙花一现 ··························································15

卡尔登和奥迪安的争夺战 ·······················································17

各影院开幕日期与放映的首片 ·················································19

露天影场的沧桑 ···································································23

新闻片的先河 ······································································25

北政府时代的电影审阅 ··························································26

有声电影百星大戏院首家开映 ·················································28

有声电影的发明 ···································································30

王人美首次作品的广告 ··························································32

亚细亚公司的兴亡 ································································33

国人首创的影片公司 ·····························································35

开心公司是国产滑稽片的鼻祖 ·················································36

影业拓荒者商务印书馆 ··························································38

《新女性》放映时举行献映典礼 ·················································41

电影学校的开设 ···································································43

国光公司的始末 ···································································45

廿七年前的取缔影院条例 ·······················································47

昙花一现之雷蒙斯影片公司 ····················································48

国府电影检查的递变 ·····························································49

声片学理讲演 ······································································51

阎瑞生影片 ·········································································52

《黄陆之爱》的轰动 ································································54

轰动旧社会的《哑情人》片 ······················································55

中国第一个女导演谢采真 ·······················································56

煊赫一时的大中华公司 ··························································57

查禁露天电影 ······································································58

百合影片公司沧桑 ································································59

明星、天一的广告战 ·······························································60

“明星”摄声片的成功史 ··························································62

十家影院拥护明星声片专映 ····················································64

昙花一现的中国第一有声电影公司 ···········································65

关于《王先生》影片 ·······························································67

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