荒木经惟 Araki: Impossible Love: Vintage Photographs
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库存4件
广东广州
认证卖家担保交易快速发货售后保障
作者Felix Hoffmann
出版社Steidl/C/O Berlin
ISBN9783958295537
出版时间2010
装帧精装
上书时间2020-12-25
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基本信息
精装 : 368页
ISBN-10 : 3958295533
ISBN-13 : 978-3958295537
商品尺寸 : 21.8 x 26.8 x 4 cm
出版社 : Steidl/C/O Berlin (2019年3月19日)
语种： : 英语
这本书结合了荒木早期的东京系列，精选了他最近的宝丽来拼贴画和最新开发的幻灯片——所有这些都探讨了匿名与亲密、公共与私人领域、现实与梦想之间的矛盾。
荒木是当今最具影响力和广泛讨论的艺术家之一，以其对裸体、性和身体的激进而现实的处理而闻名。拉里·卡拉奇和鲍里亚尔夫是摄影界的先驱之一。
1940年出生于东京，在东京千叶大学（Chiba University）完成摄影和电影专业的学习后，他从事广告工作；他从20世纪60年代中期开始专心致志于摄影。荒木的作品涵盖了女性的色情肖像、人工静物、植物图像、日常生活的纪实风格描绘，还有建筑摄影，还有他和亡妻洋子的日记照片。他出版了大约400本书，在许多国际展览中展出，他的作品是世界重要藏书的一部分。荒木在东京生活和工作。
复习
按照时间顺序排列，这本书描绘了荒木的作品，将他的摄影日记变成了一部视觉自传，讲述了一个奇异的、颠覆性的艺术生活。（另一个）
观众仍然是偷窥狂，但这一次，这只是为了见证一个隐私时刻，见证这样一个秘密的弱点是一种特权。（阿什利·于木塞）
This book combines Araki’s early Tokyo series with a selection of his recent Polaroid collages and newly developed slide shows―all of them exploring the contradictions between anonymity and intimacy, the public and private sphere, reality and dream.
Araki is one of the most influential and widely discussed artists today, legendary for his radical and realistic treatment of nudity, sexuality and the body. Together with Nan Goldin, Larry Clark and Boris Mikhailov, Araki is considered one of the pioneers of intimate subjective photography.
Born in Tokyo in 1940, Nobuyoshi Araki worked in advertising after completing his studies in photography and film at Chiba University in Tokyo; he devoted himself exclusively to photography from the mid-1960s. Araki’s oeuvre spans erotic portraits of women, artificial still lifes, images of plants, documentary-style depictions of everyday life, and architectural photography, as well as diaristic photos of himself and his deceased wife, Yoko. He has published around 400 books, shown in many international exhibitions and his work is part of important collections worldwide. Araki lives and works in Tokyo.
Review
Arranged chronologically, the book maps Araki’s oeuvre as it unfolds, transforming his photo diary into a visual autobiography of a singular, subversive life in art. (AnOther)
The viewer remains the voyeur but this time, it is simply to witness a moment of privacy and it’s a privilege to bear witness to such a secret vulnerability. (Ashley Yu Musee)
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