师法自然:bionic buildings 黄滢主编 9787560990743
新华集团 仓库直发
￥ 65.7 1.9折 ￥ 338 全新
库存17件
山东泰安
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作者黄滢主编
出版社华中科技大学出版社
ISBN9787560990743
出版时间2013-08
装帧精装
开本其他
定价338元
货号8030509
上书时间2023-11-10
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目录
墨西哥“鲸”居The Mexico Whale 闹市雅居Satelite Complex
羽蛇神峡谷中的民居Quetzalcoatl Canyon
蜗牛天地Nautilus
居在“鲨鱼”里The Shark
花居The Flower House
有机别墅The Organic House
瑞典南部湖滨小居Dragspelhuset
雷耶斯楼Reyes House
威尔金森公馆Wilkinson Residence
美国森林别墅Chenequa Residence
芬内耳别墅The Fennell House
吉布森船屋/工作室Gibson Boathouse / Studio
克雷斯特德比特别墅Mt. Crested Butte House
云屋Cloud House
波兰回旋屋Swing House
雷蒙德海滨别墅Panet Raymond Beach House
波特兰大公馆weiss Residence
日本山谷中的小“圆筒”Slowtecture HARADA
霓裳别墅Tenchi House
鲸之颚The Amazing Whale Jaw
叶苑Leaf House
滨海湾花园Gardens By The Bay
伊古姿妮照明西班牙总部iGuzzini Illuminazione Spanish Headquarters
泰国Soneva Kiri度假酒店Soneva Kiri resort hotel
绿色小村Green Village
维萨木质设计酒店Wisa Wooden Design Hotel
惠灵顿触角公共卫生间Kumutoto Toilets
惠灵顿机场航站楼The Rock, Wellington Airport
黄树屋餐厅Yellow Treehouse Restaurant
H号泡泡筑Bubbletecture H
巴斯克烹饪中心Basque Culinary Center
老年集会所Nanohana-kan Central Hall
宝马世界BMW Welt
空间居住轮Space Habitable Wheel
Motisons塔Motisons Tower
瞭望兔Lookout Rabbit
缓缓移动的蛞蝓Slow Slugs
三栈生态酒店The Three Stacks Eco-hotel
北京国立饭店Beijing National Hotel
首尔旮旯鱼市Garak Fish Market
沈阳2013全运会体育中心Civic Sports Center and 2013 National Games Arena
新西伯利亚避暑山庄Novosibirsk Summer Pavilion
丽水海洋馆Yeosu Oceanic Pavilion
高雄音乐中心Pop Music Center
花溪城市中心大厦Huaxi Urban Center Tower
首尔购物中心Gwang Gyo Power Center
Deagu Gosan 公立图书馆Deagu Gosan Public Library
内容摘要
自然的空间，历史的沉淀，文化的传承，墨西哥的土著艺术，一切皆在本案空间。
豁然一堵斜石墙，俨然如护岸墙的神态一般，具有典型的前哥伦比亚时代的神韵。内凹的穹顶，烧火砖的材质，从中读出历史的质朴与沧桑。
挑檐墙头，瓷砖铸就，浅浮雕回纹饰样，色彩斑斓。早期西班牙人带来的痕迹，曾经广泛运用于教堂穹顶之上，几经沧海，如今风采依旧。
整个外立面，延续挑檐墙头的用材、色调。其造型如同巨鲸出海。几何的曲线，大气的外型，实是有雕塑般的厚重质感，一如埃及的金字塔，千秋万代。茧状的外壳，内部各功能空间依走廊有序划分，更有如阿拉伯庭院般开放的空间。
其用材，其手法，乃是西班牙殖民时期的精华，充满异域情调。如橙色粘土块与瓷砖的共同使用，合理的却令人百思不得其解。墙壁、天花板涂以透明灰泥，踢脚板、浴室、厨房饰以瓷砖碎片，极力创造希腊回纹之纷呈。
The core of the architectonic concept of this house is the result of a search for man’s natural space and his historic and cultural roots along with the aboriginal art of Mexican.
At the front of the property, the sloping stone wall – reminiscent of a typical pre-Colombia era charm – was used as a retaining wall, combined with inverted domes made of fired bricks that convey the pristine of the history.
An overhang covered with polychromatic frets in low relief using fragments of ceramic tiles, originally brought to Mexico by the Spaniards, was constructed on top of the wall. During the second half of the sixteenth century, Spanish artisans originally from Talavera (in Spain) settled in Puebla, Mexico, not far from Mexico City, and made the first ovens for ceramic production. Very soon the domes of many churches were decorated with these tiles, and today it is difficult to imagine any dome of the colonial period without seeing images of multiple reflections when light shines on the enamel of the many colored tiles.
Outside, the exterior wrap of the dwelling received a polychromatic coat of ceramic tile fragments, evoking the image of a whale rising out of the sea. The generatrix curves communicate generous form, the essence of which brings the heavy mass characteristic of sculpture and just likes the egyptian pyramids in people,s mind. The outer covering, which looks like a cocoon or embryo, divides the more intimate areas of the dwelling from the social areas using a hallway that generates a center, open space similar to that of an Arab patio.
Inside, construction methods and materials were borrowed from concepts brought to Mexico from Spain during the colonial period. The use of orange-colored clay briquettes combined with ceramic tiles is one such example. The walls and ceilings were covered with transparent stucco, while the baseboards, bathrooms and kitchen were covered with ceramic tile fragments, creating whimsical Grecian frets in different tones.
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