素描基础教程（畅销升级版）

图书标准信息

• 作者 张恒国 著
• 出版社 清华大学出版社
• 出版时间 2016-02
• 版次 1
• ISBN 9787302417361
• 定价 29.90元
• 装帧 平装
• 开本 16开
• 纸张 胶版纸
• 页数 133页
• 字数 179千字

【内容简介】

  素描训练是绘画的基础，素描包含着丰富的视觉艺术修养，通过手绘的方法在线、明暗、构成等方面进行训练研究，能够增强绘画者敏锐的观察力，开拓思维，提高审美修养。对于初学者来说，一定要牢牢地掌握基础的方法，打下扎实稳健的基础。

  本书是一本系统介绍素描入门的基础教程，主要内容包括石膏几何体、素描静物、素描石膏像、人物肖像和速写的绘画方法，完整的介绍了素描技法的画法和要点，包括了学习素描阶段的所有知识块。该书理论结合实践，重在提高读者的实际应用能力。全书内容丰富，图文并茂，结构安排合理，通过大量的范例介绍了素描写生的入门知识、方法和步骤。可以充分提高读者的美术造型能力、观察能力和表现能力。为读者学习美术打下良好的基础。

 本书结构清晰，实例丰富，分析讲解透彻、实例针对较强，本书紧扣“基础”和“实用”两大基点，是美术爱好者学习素描的入门教材，同时也可以作为美术相关专业的教材，以及准备跨入艺术院校的学生学习使用。

【作者简介】

  张恒国，美术专业出身，设计专业毕业，设计老师，热爱美术设计行业，出版多部美术类、设计类图书。

【目录】

第一章 素描基础···················································1

 1.素描概述························································1

 2.素描写生························································1

 3.素描观察方法·················································1

 4.握笔的姿势····················································1

 5.素描工具························································2

 6.排线的方法····················································2

 7.素描构图·······················································2

 8.三大面五大调·················································3

 9.素描绘画步骤·················································3

 10.素描学习要点···············································3

第二章 石膏几何体···············································4

 1.石膏几何体概述·············································4

 2.六棱锥的画法·················································4

 3.十字椎体的画法··············································6

 4.多面星的画法·················································8

 5.几何体两组合（一）·····································10

 6.几何体两组合（二）·····································12

 7.三个几何体组合············································14

第三章 单个静物写生··········································16

 1.静物写生概述···············································16

 2.南瓜的画法··················································16

 3.蒜臼的画法···················································18

 4.水壶的画法···················································20

 5.陶罐的画法(一）··········································22

 6.陶罐的画法(二）··········································24

第四章 组合静物写生··········································26

 1.组合静物······················································26

 2.苹果组合的画法············································26

 3.杯子和梨的画法············································28

 4.瓶子和梨的画法············································30

 5.酒瓶和橘子的画法·········································32

 6.罐子和苹果组合············································34

 7.花瓶和水果组合············································36

 8.陶罐和梨子组合············································38

第五章 石膏像写生··············································40

 1.石膏像写生要点············································40

 2.米开朗基罗头像的画法··································40

 3.罗马青年的画法············································42

 4.伏尔泰的画法················································44

 5.鲁迅像的画法················································46

 6.布鲁特斯的画法············································48

第六章 素描人像写生···········································50

 1.人物素描概述················································50

2.男青年头像的画法·········································50

 3.女青年头像的画法（一）·······························52

 4. 女青年头像的画法（二）·····························54

 5. 男青年头像的画法·······································56

 6.男中年头像的画法（一）·······························58

 7.男中年头像的画法（二）·······························60

 8.男老年头像的画法（一）·······························62

 9.老年男头像的画法（二）·······························64

第七章 半身像写生··············································66

 1.人物半身像概述············································66

 2.男中年半身像的画法·····································68

 3.女老年半身像的画法·····································70

第八章 人物速写·················································72

 1.速写概述······················································72

 2.物速写作品···················································72

第九章 素描作品范例···········································78