装置艺术设计 MATTHIEU MANCHE
本书共收录了马蒂厄曼彻1994-2000年99幅设计图，全书纯干货全为图纸。随书赠送光盘一张，配乐：Moodman.曼纽尔·马蒂厄1986 年出生于海地太子港，2016 年毕业于伦敦大学金史密斯学院，获艺术硕士学位。英文原版国内现货。
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四川成都
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作者玛迪厄‧曼区(Matthieu Manche)
出版社BLUEMARK
出版时间1985
出版地日本
印刷时间2000
印次1
印数2千册
装帧平装
尺寸25 × 18.7 cm
页数200页
正文语种英语
货号133
上书时间2024-02-28
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本书共收录了马蒂厄曼彻1994-2000年99幅设计图，全书纯干货全为图纸。随书赠送光盘一张，配乐：Moodman.曼纽尔·马蒂厄1986 年出生于海地太子港，2016 年毕业于伦敦大学金史密斯学院，获艺术硕士学位。英文原版国内现货。
Mixed media installation artist Matthieu Manche plays with aesthetics and vanity in his fashionable photos of models sporting giant protrusions made of resin, silicone, and Velcro. This theme of Masquerade is present in his show Cote Quest, shown in San Francisco and Los Angeles at 18th Street Arts Center (2000). A collaboration with Japanese design studio Miyake produced the installation World Cup (1998). Current group show Haptic, put on by Kenya Hara of Tokyo’s Nippon Design Museum in Glasgow, makes the case that the human senses should be the “animating force in manufacturing.” Manche’s piece is a multi-socket extension cord made of silicon and rendered flesh tone. He recently appeared in the Japanese film Body Drop Asphalt (2000); prior to that, he designed a series of latex garments manufactured by Fresh in Japan (1998-2000), seen in the photography book Skin Surface Substance and Design that suggest “an elaboration or overflowing of the body.”
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