Basquiat: The Modena Paintings 巴斯奎特 摩德纳画作
￥ 310 九五品
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北京通州
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作者Dieter Buchhart 著
出版社Hatje Cantz Verlag
ISBN9783775755092
出版时间2023-07
装帧平装
上书时间2024-10-26
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出版社 : Hatje Cantz (2023年 9月 5日)
语言 : 英语
平装 : 112页
ISBN-10 : 3775755098
ISBN-13 : 978-3775755092
商品重量 : 200 g
尺寸 : 22.23x1.27x26.04 cm
页面参数仅供参考，具体以实物为准
●内容简介——
八幅巴斯奇亚的重要作品重新组合在一起，标志着这位涂鸦艺术家向独立画家的转变
让-米歇尔-巴斯奇亚于 1982 年夏天前往意大利摩德纳，在埃米利奥-马佐利画廊举办了他在欧洲的首次个展，本画册重点介绍了他的八幅作品。在短短几天的时间里，巴斯奇亚创作了一组大尺幅画作，其规模和方法都超越了他之前的作品。每幅作品的尺寸约为 6.5 x 13 英尺，这些作品标志着巴斯奇亚从在曼哈顿街头涂鸦到在画布上作画的转变。展览的构思和时机最终被证明是充满争议的，巴斯奇亚没有屈服于压力和期望，而是取消了展览。这本画册重温了巴斯奇亚职业生涯的这一关键时刻，并首次将这些画作重新组合在一起。
让-米歇尔-巴斯奇亚（1960-88 年）在布鲁克林长大。他很早就以 "萨莫"（SAMO）为标签创作街头绘画，并因此声名鹊起。后来，他进入画廊界，成为纽约 80 年代早期充满活力的市中心场景的标志性人物，是安迪-沃霍尔和弗朗西斯科-克莱门特的朋友和合作者，也是 1985 年《纽约时报》杂志关于新艺术市场报道的封面人物。
Reuniting eight key Basquiat works that mark the graffiti artist’s transition to painterly autonomy
This catalog focuses on eight paintings by Jean-Michel Basquiat made in the summer of 1982, when he traveled to Modena, Italy, for one of his first solo exhibitions in Europe at the gallery of Emilio Mazzoli. Within the span of just a few days, Basquiat painted a group of large-format paintings that surpassed his previous work in both scale and method. Each measuring around 6.5 by 13 feet, these works mark Basquiat’s transition from creating graffiti in the streets of Manhattan to painting on canvas. The conception and occasion of the exhibition ultimately proved fraught, and instead of conceding to pressure and expectations, Basquiat canceled the show. The paintings–including masterpieces that today are considered pivotal and among the most outstanding of his oeuvre–have never been shown together. This catalog revisits this crucial moment of Basquiat’s career and reunites them for the first time.
Jean-Michel Basquiat (1960–88) grew up in Brooklyn. Notoriety came early, from his street paintings made under the tag SAMO. Later he stormed the gallery world, and became an icon of New York's vibrant early-’80s downtown scene, a friend to and collaborator with Andy Warhol and Francesco Clemente, and the cover boy for a 1985 New York Times Magazine story on the new art market.
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