Lisa Yuskavage: Babie Brood: Small Paintings 1985–2018
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作者Jarrett Earnest
出版社David Zwirner Books
ISBN9781644230145
出版时间2019-10
装帧精装
页数176页
上书时间2024-05-10
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Lisa Yuskavage: Babie Brood is the first survey of the artist’s small-scale paintings. While Yuskavage is primarily known for larger canvases, these intimate works offer a new window into her transgressive paintings and complex and influential oeuvre.
Based on the artist’s imagination, live models, maquettes, and found and staged photographs, the small paintings in this book demonstrate Yuskavage’s methodical exploration of how images are created and their sources. Some of the small works are studies for large paintings, while others revisit preexisting images. Yet others are one-of-a-kind compositions only created on this intimate scale. As places for experimenting with color, form, and characters as well as a variety of formats—including stretched and unstretched linen, canvas boards, wood, and paper—these paintings play a remarkably dynamic role within her work. This catalogue presents the paintings to scale so readers can explore the works as if seeing them in person.
Documenting the artist’s exhibition at David Zwirner, New York, in 2018, this catalogue includes an essay by Jarrett Earnest that illuminates Yuskavage’s early influences and explores the constant, often surprising themes that can be found throughout her art.
丽莎·尤斯卡瓦吉:芭比·布鲁德是对这位艺术家小规模画作的首次调查。虽然尤斯卡瓦吉主要以较大的画布闻名，但这些亲密的作品为她的越轨绘画和复杂而有影响力的作品提供了一个新的窗口。
本书中的小画作以艺术家的想象、真人模型、模型以及发现和拍摄的照片为基础，展示了尤斯卡瓦吉对图像创作方式及其来源的系统探索。一些小作品是对大型绘画的研究，而其他作品则是对先前存在的图像的重新审视。还有一些是独一无二的作品，只有在这种亲密的规模下才能创作出来。作为对颜色、形式和人物以及各种形式进行实验的场所——包括拉伸和未拉伸的亚麻布、帆布板、木材和纸——这些绘画在她的作品中扮演着非常活跃的角色。该目录按比例展示了这些画作，因此读者可以像亲自看到一样探索这些作品。
该目录记录了这位艺术家2018年在纽约大卫·兹沃纳举办的展览，其中包括贾勒特·欧内斯特（Jarrett Earnest）的一篇文章，阐述了尤斯卡瓦吉早期的影响，并探索了贯穿其艺术作品的经常令人惊讶的主题。
媒体推荐
“Yuskavage, a masterful colorist, makes lush, luminous, intentionally—and delightfully—gauche paintings that unsettle facile notions of misogyny, femininity and the female gaze.” -- Julia Felsenthal ― The New York Times Style Magaine
“This wonderful, almost overpoweringly virtuosic retrospective of nearly ninety small paintings spans her career… Love it or hate it, the breadth, rigor, and all-in commitment of Yuskavge’s vision is undeniable.” -- Johanna Fateman ― The New Yorker
“The wild art star of the 1990s, known for her candy-colored voluptuaries with distorted faces and poses, ups her game.” -- Jerry Saltz ― Vulture
“More than thirty years of underage popsies rendered in Jordan-almond pastels and smoldering shades of red, gold, and acid green were on parade in ‘Babie Brood: Small Paintings 1985-2018.’” -- Zoë Lescaze ― ARTFORUM
“By blending realism and fantasy, Yuskavage challenges conventional expectations surrounding figurative painting.” -- Sarah Cascone ― Artnet News
“Lisa Yuskavage’s art continues to defy characterization.” -- Thomas Gebremedhin ― Wall Street Journal
“As usual, dark humor and acrid color are mitigated by luminosity and sensitive execution.” -- Margaret McCann ― Painter’s Table
“The most scandalous thing about which wasn’t their sexual explicitness–much of the imagery was safely PG-13– but their style: a luminous, lowbrow Mannerism, rendered with such self-evident technical brilliance that the works’ tackiness begins to feel like an affront.” -- Rachel Wetzler ― Art in America
作者简介
For more than thirty years, Lisa Yuskavage's (b. 1962) highly original approach to figurative painting has challenged conventional understandings of the genre. Her simultaneously bold, eccentric, exhibitionist, and introspective characters assume dual roles of subject and object, complicating the position of viewership. At times playful and harmonious, and at other times rueful and conflicted, these characters are cast within fantastical compositions in which realistic and abstract elements coexist and color determines meaning. While the artist's painterly techniques evoke art historical precedents, her motifs are often inspired by popular culture, creating an underlying dichotomy between high and low and, by implication, sacred and profane, harmony and dissonance. Yet her oeuvre compellingly resists categorization, insisting instead on its own kind of emotional formalism in which characters and pictorial inventions assume equal importance.
Jarrett Earnest is a writer and artist living in New York City. From 2014 to 2017, he was faculty at the free experimental art school Bruce High Quality Foundation University (BHQFU), running their MFU programs in New York and Miami. He wrote What it Means to Write About Art: Interviews with art critics (2018) and coedited the volumes Tell Me Something Good: Artist Interviews from The Brooklyn Rail (2017) and For Bill, Anything: Images and Text for Bill Berkson (2015). His writing has appeared in Art in America, The Brooklyn Rail, Los Angeles Review of Books, San Francisco Arts Quarterly, and The Village Voice, among others.
Hanna Schouwink joined David Zwirner in 1997 and is a senior partner based in the gallery’s New York location. Throughout the past two decades, she has overseen numerous shows at the gallery and collaborated on many major museum exhibitions throughout the United States and Europe and their accompanying publications.
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基本信息
出版社 : David Zwirner Books (2019年 10月 29日)
语言 : 英语
精装 : 176页
ISBN-10 : 1644230143
ISBN-13 : 978-1644230145
商品重量 : 1.19 Kilograms
尺寸 : 21.59 x 2.29 x 26.67 cm
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