《致敬帕索利尼》记录了由Olivier Saillard策划并由Tilda Swinton上演的服装行为艺术秀。本书部分是时尚物品,部分是艺术秀目录,是Swinton广受好评的表演的犭虫特记录。就其本质而言,这是一件短暂的艺术品,但也调查了服装设计师Danilo Donati为意大利电影导演Pier Paolo Pasolini的电影设计的令人印象深刻的服装。从《马太福音》、《老鹰与麻雀》、《俄狄浦斯王》、《猪圈》、《十日谈》、《坎特伯雷故事》、《一千零一夜》到《萨罗》(又名《索多玛120天》),他们的服装、大衣、帽子追溯了Pasolini的整个电影创作,在导演去世近半个世纪后,这些服装仍然吸引着观众们。德国摄影师Ruediger Glatz为读者提供了舞台和表演幕后的照片,并将他们的目光引向细节和特写,强化了这一时刻的美丽和神秘。由Swinto和Saillard撰写的文字,为表演的创作和实现提供了一个犭虫家视角。作为对电影服装设计和时尚的热情颂歌,《致敬帕索利尼》将高及时装提升为一种名副其实的艺术形式。
Embodying Pasolini documents the extraordinary performance curated by Olivier Saillard and poetically brought to life by Tilda Swinton. Serving as part fashion object and part catalogue, this publication is the sole record of Swinton's critically acclaimed sold-out performance-that was by its very nature an ephemeral artwork-but also serves as a survey of the impressive costumes designed by Danilo Donati for Pier Paolo Pasolini's films. From movies including The Gospel According to Matthew, The Hawks and the Sparrows, Oedipus Rex, Porcile, The Decameron, The Canterbury Tales, and Arabian Nights to Salo, or the 120 Days of Sodom, their costumes-garments, coats, and hats-retrace Pasolini's entire cinematography, which continues to fascinate audiences almost half a century after the director's passing. The camera of German photographer Ruediger Glatz takes readers both on stage and behind the scenes of the performance, and directs their gaze to details and close-ups, intensifying the beauty and mystery of the moment. Written by Swinton and Saillard, the texts offer an exclusive perspective into the creation and realization of the performance. A passionate ode to cinematic costume design and fashion, Embodying Pasolini elevates couture to a veritable art form.
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