On Kawara ― Silence
库存1本 下单前咨询客服确定库存
￥ 520 九品
仅1件
北京通州
认证卖家担保交易快速发货售后保障
作者Jeffrey S. Weiss + Daniel Buren
出版社Guggenheim Museum Publications
ISBN9780892075195
出版时间2015-03
装帧精装
页数264页
上书时间2022-11-21
- 最新上架
商品详情
- 品相描述：九品
- 商品描述
-
Because of his recourse to language, photography and systems of information, On Kawara is often described as a key figure in the history of Conceptual art. Yet his work stands apart in its devotion to painting and its existential reach. On Kawara ― Silence is published in conjunction with a major exhibition of Kawara's post-1964 work at the Solomon R. Guggenheim Museum, New York. Like the exhibition itself, the structure of the book was devised in close collaboration with the late artist. The exhibition catalogue contains essays on Kawara's work by leading scholars and critics in various fields, including art history, literary studies and cultural anthropology. It also includes substantial, authoritative descriptions of every category of his production―the first time such comprehensive information has appeared in print. Richly illustrated, On Kawara ― Silence reproduces many examples of the Date Paintings (Today), calendars (One Hundred Years and One Million Years), postcards (I Got Up), telegrams (I Am Still Alive), news cuttings (I Read), maps (I Went) and lists (I Met) that comprised the artist's practice beginning in the mid-1960s. Among other groups of works, the book includes images of the 97 Date Paintings (accompanied by their newspaper-lined storage boxes) that Kawara produced during a three-month run of daily painting in 1970. The catalogue also contains reproductions of paintings and drawings produced in Paris and New York in the years that precede the works for which Kawara is best known, as well as rare images of materials related to his working process. The volume is published in four differently colored covers. Text by Jeffrey Weiss, Daniel Buren, Whitney Davis, Maria Gough, Ben Highmore, Tom McCarthy, Susan Stewart and Anne Wheeler.
On Kawara was born in Japan in 1933. During the 1950s he was a prominent member of the postwar Tokyo avant-garde, producing figurative work in a late-Surrealist style. Kawara left Japan in 1959, traveling to Mexico City, Paris and New York, where he settled in 1964. By 1966 he had devoted his work solely to the schematic representation of time and place through calendars, maps, lists, postcards and telegrams. Kawara's primary body of work, which occupied him until his death in 2014, is the Today series, a sequence of paintings produced according to strict protocols of size, color and technique. An incessant traveler, the artist produced Date Paintings in 136 cities and various languages.
由于他对语言、摄影和信息系统的追求，《论卡瓦拉》经常被描述为概念艺术史上的一个关键人物。然而，他的作品在对绘画的热爱和对存在主义的追求上与众不同。《论卡瓦拉——沉默》与卡瓦拉1964年后的作品在纽约所罗门·R·古根海姆美术馆的大型展览同时出版。与展览本身一样，这本书的结构也是与这位已故艺术家密切合作设计的。展览目录收录了多位学者及评论家的文章，包括艺术史、文学研究及文化人类学等。它还包括对他作品的每一个类别的实质性、权威性的描述——这种全面的信息首次出现在印刷品中。《香春》图文并茂——《沉默》复制了许多作品，包括《今日》、《日历》(《一百年一百万年》)、《明信片》(《我起床了》)、《电报》(《我还活着》)、《剪报》(《我读了》)、《地图》(《我去了》)和《列表》(《我遇见了》) ，这些作品都是艺术家从20世纪60年代中期开始创作的。在其他类别的作品中，这本书包括97日期绘画的图像(伴随着他们的报纸内衬的储藏箱) ，卡瓦拉在1970年的一个三个月的每日绘画运行。目录还包括卡瓦拉最著名的作品之前几年在巴黎和纽约生产的绘画和绘画的复制品，以及与他的工作过程有关的材料的罕见图像。这本书以四种不同颜色的封面出版。文字: 杰弗里 · 韦斯，丹尼尔 · 布伦，惠特尼 · 戴维斯，玛丽亚 · 高夫，本 · 海莫尔，汤姆 · 麦卡锡，苏珊 · 斯图尔特和安妮 · 惠勒。
安卡瓦拉1933年出生于日本。在20世纪50年代，他是战后东京先锋派的杰出成员，创作了具有晚期超现实主义风格的比喻作品。卡瓦拉于1959年离开日本，前往墨西哥城、巴黎和纽约，并于1964年在那里定居。到1966年，他的工作只是通过日历、地图、清单、明信片和电报来表示时间和地点。卡瓦拉的主要作品是《今日》系列，这是一系列严格按照尺寸、颜色和技术要求制作的画作，直到2014年他去世。作为一个不间断的旅行者，艺术家创作了136个城市和各种语言的枣画。
基本信息
出版社 : Guggenheim Museum Publications; First Edition (2015年3月24日)
语言 : 英语
精装 : 264页
ISBN-10 : 0892075198
ISBN-13 : 978-0892075195
商品重量 : 2.08 kilograms
尺寸 : 33.02 x 4.06 x 25.15 cm
— 没有更多了 —
以下为对购买帮助不大的评价