基本信息 出版社 : HATJE CANTZ (2017年11月9日) 语言 : 英语 ISBN-10 : 3775743960 ISBN-13 : 978-3775743969 商品重量 : 600 g 尺寸 : 21 x 27 cm Harald Szeemann, the renowned exhibition organizer and friend of the entrepreneurs Anne-Marie Loeb-Haymann (1916–1999) and Victor Loeb (1910–1974), described their attitude as an emphatic “yes to the present day.” Between 1964 and 1974, the couple assembled a collection that was ripe for a museum from the start. To their contemporary art, often acquired directly from artists’ studios, the Loebs also added Constructivist pieces from the first decades of the twentieth century.Liquid Reflections (1967), a kinetic light sculpture by the American artist Liliane Lijn (*1939), supplied the title for the exhibition and the book. It articulates what it is that makes up the character of the collection: liquefaction and the dissolution of boundaries. What was previously a painting or a sculpture has been re-discovered, re-materialized, and re-interpreted.This catalogue gives readers a look at the creation of the collection, whose more than 350 works of art are on permanent loan to the Kunstmuseum Bern. It also contains an index of works, introduces highlights from the collection, and describes the experimental new beginnings of art at that time. 著名的展览组织者、企业家安妮-玛丽 · 勒布-海曼(Anne-Marie Loeb-Haymann,1916-1999)和维克多 · 勒布(Victor Loeb,1910-1974)的朋友哈拉尔德 · 塞曼(Harald Szeemann)将他们的态度描述为一种强调的“对当今的肯定”在1964年到1974年间,这对夫妇收集了一批从一开始就适合建立博物馆的藏品。他们的当代艺术,往往直接从艺术家的工作室,勒布斯还增加了建构主义作品从第一个十年的二十世纪。液体反射(1967) ,由美国艺术家 Liliane Lijn (* 1939)创作的动态光雕塑,为展览和书籍提供了标题。它清晰地表达了组成这个集合的特征: 液化和边界的溶解。以前的绘画或雕塑已经被重新发现,重新物化,重新解释。这本目录让读者了解这些藏品的创作过程,其中超过350件艺术品是永久借给伯尔尼美术馆的。它还包含一个索引的作品,介绍了从收集的亮点,并描述了实验性的艺术新的开始在那个时候。
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