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英文原版 Terminus 终点站艺术摄影作品集

298 九五品

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北京通州

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作者John Divola

出版社MACK

ISBN9781913620080

出版时间2021-02

印刷时间2021-02

装帧精装

页数68页

上书时间2022-05-28

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品相描述：九五品

商品描述: "终点站是那种你可以返回的照片系列，你知道每一次那些磁性黑圈都会象征着不同的东西"--ArtReview

"[Divola的]关注点是概念性的：他们质疑虚构和现实之间的界限，以及艺术在描述生活中的局限性。" - 断头台

"尽管这里可以感受到暴力的姿态......在绘画的不协调存在中，有一种美丽的、持久的、持续的诗意。" - l'Intervalle

自2015年以来，约翰-迪沃拉一直在加州维克多维尔的一个废弃的空军住宅区内进行摄影创作。通过用喷漆介入建筑物废弃的内部，然后拍摄修改后的场景，迪沃拉创造的作品位于摄影、雕塑和装置的一个有趣的交界处。《终点站》中的图像沿着废弃的走廊望向迪沃拉画在走廊尽头的黑暗形状。通过油漆、灰尘和石膏的层层叠叠，它们对观众产生了一种明确的吸引力，同时暗示了命运的决定性力量和逃跑的破裂的可能性。艺术家将这些图像作为一个深思熟虑的对象在书中排列和并列，引导观众在废弃的院落中进行随机和迷人的穿越。

延续了Divola作品中的概念实验，《终点站》捕捉到了对具体事物的观察和对抽象事物的坚持之间的张力。这些都是真实的地方，在清晨的光线下拍摄，但被迪沃拉模糊的象形文字所改变，它们充满了象征主义和虚构的暗示。尖锐的细节证明了半熟悉的场景的放弃和消亡，即使它们将它们变成了舞台上的思想舞台。在这些通道的过渡空间里，我们总是在旅行，却从未到达，被夹在历史和猜测的潮水之间。

“Terminus is the sort of photo series that you could return to knowing that each time those magnetic black circles will signify something different” – ArtReview

“[Divola’s] concerns are conceptual: they question the boundaries between fiction and reality, as well as the limits of art in describing life.” – Guillotine

“Despite the the violent gestures perceptible here ... in the incongruous presence of painting, there is a beautiful, enduring, persistent poetry.” – l’Intervalle

Since 2015, John Divola has been making photographic projects in an abandoned air force housing complex in Victorville, California. By intervening in the buildings’ disused interiors with spray paint then photographing the modified scenes, Divola creates work that sits at an intriguing juncture of photography, sculpture, and installation. The images in Terminus gaze down derelict hallways towards dark shapes which Divola has painted at their ends. Through layers of paint, dust, and plaster, they exert an unmistakable pull on the viewer, at once suggesting the deterministic forces of fate and the rupturing possibility of escape. Arranging and juxtaposing theses images within the book as a considered object, the artist leads the viewer on a stochastic and entrancing traverse through the abandoned compounds.

Continuing the conceptual experimentation that has defined Divola’s oeuvre, Terminus captures a tension between the observation of the specific and the insistence of the abstract. These are real places, shot in the available light of early morning, but altered by Divola’s obscure hieroglyphs they are alive with suggestions of symbolism and fiction. Sharp details testify to the abandonment and demise of half-familiar scenes even as they transfigure them into stage-like arenas for ideation. Within the transitional spaces of these passageways, we are always travelling and never arriving, caught between the tidal currents of history and speculation.

Foil embossed hardback bound in Japanese paper
24 x 31.5cm, 68 pages

ISBN 978-1-913620-08-0
February 2021