Publisher : Kehrer Verlag; 1st edition (30 Sept. 2016) Language : German Hardcover : 120 pages ISBN-10 : 3868287140 ISBN-13 : 978-3868287141 Dimensions : 21.5 x 2 x 24.6 cm How should a photographer react to today’s flood of images? Confronting the reality that too much is being produced in every area of photography, Boris von Brauchitsch has developed a radical and challenging answer to the problem: Every new picture taken must make one hundred others obsolete. The risks of creating superfluous images run highest when travelling. Thus, on each trip he takes, he limits himself accordingly. At every new location, he allows himself a maximum of three times three pictures: nine photographs organized within a strict square grid. They capture the specific moments that first caught his eye within an as yet undiscovered whole, complimented by a short contextualizing essay. The tableaux of the renowned photographer and author Boris von Brauchitsch reveal a fascinating dialog between image and text. Both intimate and subjective, they shed light, not on the tired cliché, but on the unique. They place themselves as champions, not just of the collection rather of the significant fragments that, together, create the whole. mr 一个摄影师应该如何应对今天洪水般的图像?面对摄影各个领域产生的太多的现实,鲍里斯 · 冯 · 布劳奇奇为这个问题提出了一个激进而富有挑战性的答案: 每一张新照片都必须使其他100张过时。在旅行中创造多余图像的风险最高。因此,在每次旅行中,他都会相应地限制自己。在每一个新的地点,他允许自己最多三次三张照片: 九张照片组织在一个严格的正方形网格。他们捕捉到的特定时刻,第一次吸引了他的眼球,在一个尚未被发现的整体,赞扬了一个简短的上下文散文。著名摄影师和作家鲍里斯 · 冯 · 布劳奇施的画面展示了一个迷人的对话图像和文本之间。无论是亲密的还是主观的,它们都揭示了,不是陈词滥调,而是独特的。他们把自己定位为冠军,而不仅仅是收藏,而是那些重要的碎片,一起创造了整体。
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