Léon Spilliaert 莱昂·斯皮里亚尔
￥ 298 6.8折 ￥ 438 九五品
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作者Leon Spilliaert
出版社Royal Academy of Arts
ISBN9781912520220
出版时间2020-04
印刷时间2020-04
印数1千册
装帧精装
开本16开
纸张铜版纸
页数176页
字数1千字
定价438元
上书时间2023-08-24
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出版社 : Royal Academy of Arts (2020年4月21日)
语言 : 英语
精装 : 176页
ISBN-10 : 1912520222
ISBN-13 : 978-1912520220
商品重量 : 1.2 kilograms
尺寸 : 23.37 x 2.03 x 29.46 cm
页面信息仅供参考，具体以实物为准
内容简介
光明的孤独：比利时艺术家Léon Spilliaert的遐想，他是Ensor的对手，也是尼采和Poe的代言人。
虽然经常与比利时的象征主义联系在一起，但Léon Spilliaert在很大程度上是自学成才的画家，表现出一种特殊的个人风格。他出生在沿海城市奥斯坦德，并在那里创作了许多他激进的作品。斯皮利耶特是一个内向和失眠的人，年轻时健康状况不佳，他在北海度假胜地的夜间街道上徘徊，对其黑暗的码头、海滩和长廊进行了神秘和高度大气的描绘。他从奥迪隆-雷东和詹姆斯·阿伯特·麦克尼尔·惠斯勒等画家以及作家埃德加·爱伦·坡和弗里德里希·尼采那里获得了影响；他对自我的视觉探索和强烈的孤独形象也使他与爱德华·蒙克和维尔赫姆·哈默肖伊等欧洲现代主义者保持一致。
本书汇集了来自比利时、法国和美国的国际公共和私人收藏的100多件作品，包括斯皮利耶特在20多岁时创作的一系列令人不安的自画像。多位作者，其中包括该艺术家目录背后的学者，讨论了该艺术家的独特方法，并将他的职业生涯与他的同胞和当代的詹姆斯·恩索尔的职业生涯放在一起。广受赞誉的比利时画家Luc Tuymans，在很多方面都是Spilliaert遗产的继承人，他为本书作了前言。
Léon Spilliaert（1881-1946）出生于奥斯坦德，20岁时搬到布鲁塞尔。在他的余生中，他一直在这两个城市之间生活和工作。1903年至1904年，他在布鲁塞尔为埃德蒙·德曼（Edmond Deman）工作，德曼是象征主义作家的出版商，斯皮利亚特为其作品绘制插图；同年，他留在巴黎，在那里他发现了蒙克和图卢兹-劳特累克的作品，他承认这些作品对他的影响。
A luminous loneliness: reveries from Belgian artist Léon Spilliaert, rival of Ensor and exponent of Nietzsche and Poe
Although often associated with Belgian symbolism, Léon Spilliaert, largely self-taught as a painter, demonstrated a peculiarly individual style. He was born in the coastal city of Ostend, and created many of his most radical works there. An introvert and insomniac who suffered from poor health as a youth, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. He drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler as well as the writers Edgar Allan Poe and Friedrich Nietzsche; his visual explorations of the self and potent images of solitude also align him with European modernists such as Edvard Munch and Vilhelm Hammershøi.
This book brings together more than 100 works from international public and private collections across Belgium, France and the US, including a series of haunting self-portraits that Spilliaert created in his twenties. Various authors, among them the scholar behind the artist’s catalogue raisonné, discuss the artist’s singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Acclaimed Belgian painter Luc Tuymans, in many ways the heir to Spilliaert’s legacy, provides a foreword.
Léon Spilliaert (1881–1946) was born in Ostend and moved to Brussels at the age of 20. He lived and worked between the two cities for the rest of his life. From 1903 to 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate; that same year he stayed in Paris, where he discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged.
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