50多张明信片、手稿、打字的信件甚至电子邮件与剧照、图画和故事板一起呈现,创造了一个令人惊叹的多年来的书信档案。策展人和Punto de Vista国际纪录片电影节导演Garbine Ortega汇编了这些材料,努力 "在材料之间创造回声和反响,就像在电影中一样,由于编辑,它们具有超越其具体内容的另一种意义"。该卷包括电影制片人Jodie Mack、Jonas Mekas、Stan Brakhage、Jorge Honik、Claudio Caldini、Lech Kowalski、Nicole Brenez、Marcel Hanoun、Nathaniel Dorsky、George Kuchar、Nazli Dinçel、Norman McLaren、Maya Deren、Jean Vigo之间交换的信件。Richard Leacock, Monica Flaherty, Richard Linklater, Gabe Kingler, Robert Breer, Robert Smithson, Nancy Holt, Fernando Trueba, Jean-Marie Straub, Jim Jarmusch, Hanun Farocki, Robert Frank, Fred Wiseman, Margaret Tait, Ute Aurand, Terrence Malick, Lynne Sachs and Gunvor Nelson.
More than 50 postcards, manuscripts, typewritten letters and even emails are presented alongside stills, drawings and storyboards to create a stunning epistolary archive many years in the making. Curator and Punto de Vista International Documentary Film Festival director Garbine Ortega has compiled these materials in an effort to “create echoes and reverberations between materials which, as in a film, thanks to the editing, take on another meaning beyond their specific content.” The volume includes correspondence exchanged among filmmakers Jodie Mack, Jonas Mekas, Stan Brakhage, Jorge Honik, Claudio Caldini, Lech Kowalski, Nicole Brenez, Marcel Hanoun, Nathaniel Dorsky, George Kuchar, Nazli Dinçel, Norman McLaren, Maya Deren, Jean Vigo, Richard Leacock, Monica Flaherty, Richard Linklater, Gabe Kingler, Robert Breer, Robert Smithson, Nancy Holt, Fernando Trueba, Jean-Marie Straub, Jim Jarmusch, Hanun Farocki, Robert Frank, Fred Wiseman, Margaret Tait, Ute Aurand, Terrence Malick, Lynne Sachs and Gunvor Nelson.
以下为对购买帮助不大的评价