Gordon Parks: The Atmosphere of Crime 戈登帕克斯：犯罪气氛，1957年
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北京通州
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作者Jr. Peter W. Kunhardt
出版社Steidl
ISBN9783958296961
出版时间2020-05
印刷时间2020-05
印数1千册
装帧精装
开本16开
纸张铜版纸
页数168页
字数1千字
定价435元
上书时间2023-04-14
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●产品信息——
出版社：Steidl Publishing (2020年6月16日)
语言：英语
精装： 117页
ISBN-10：3958296963
ISBN-13：9783958296961
商品重量：1.06 kilograms
尺寸：250 x 290 x 17.78mm
（页面信息仅供参考，具体以实物为准）
●内容简介——
戈登．帕克斯对纽约、芝加哥、旧金山和洛杉矶犯罪的复杂伦理描写，以及以前未曾见过的照片
1957年，当《生活》杂志邀请戈登-帕克斯为一系列关于美国犯罪的文章绘制插图时，他已经当了近十年的摄影师，是一个担任这一职务的非裔美国人。帕克斯开始了为期六周的旅程，他和一名记者走访了纽约、芝加哥、旧金山和洛杉矶的街道。与他之前的许多作品不同，所拍摄的图片是彩色的。由此产生的八页照片散文 "犯罪的氛围 "值得注意，不仅因为其大胆的审美复杂性，而且还因为它挑战了当时媒体中普遍存在的关于犯罪的定型观念。他们提供了一个色彩丰富的、电影化的、在很大程度上被掩盖的世界的描写：暴力、警察工作和监禁，以同情和坦率的态度看待。
帕克斯摒弃了关于犯罪和腐败的陈词滥调，选择了一种更细微的观点，反映了与犯罪行为相关的社会和经济因素，并为了解那些负责预防和起诉犯罪的人的工作生活提供了一个罕见的窗口。帕克斯超越了黑帮电影的浪漫主义、犯罪团伙的悬念以及当时美国流行文化中普遍存在的对犯罪行为的种族偏见的描述，他用相机生动而有说服力地记录了现实，使《生活》杂志的读者能够看到这些长期以来过于简化的情况的复杂性。The Atmosphere of Crime, 1957》收录了大量从帕克斯的原始报道中挑选出来的从未发表过的照片。
戈登-帕克斯于1912年出生在堪萨斯州斯科特堡的贫困和种族隔离中。作为一名流动工人，他曾做过妓院钢琴师和火车搬运工等工作，后来在一家当铺买了一台相机，经过自我培训，成为一名摄影师。他逐渐成为现代的文艺复兴者，作为电影导演、作家和作曲家获得了成功。他是一个执导大型电影的非裔美国人导演，他的电影《Shaft》（1971年）帮助开创了黑人电影的流派。帕克斯于2006年去世。
Gordon Parks’ ethically complex depictions of crime in New York, Chicago, San Francisco and Los Angeles, with previously unseen photographs
When Life magazine asked Gordon Parks to illustrate a recurring series of articles on crime in the United States in 1957, he had already been a staff photographer for nearly a decade, the first African American to hold this position. Parks embarked on a six-week journey that took him and a reporter to the streets of New York, Chicago, San Francisco and Los Angeles. Unlike much of his prior work, the images made were in color. The resulting eight-page photo-essay “The Atmosphere of Crime” was noteworthy not only for its bold aesthetic sophistication, but also for how it challenged stereotypes about criminality then pervasive in the mainstream media. They provided a richly hued, cinematic portrayal of a largely hidden world: that of violence, police work and incarceration, seen with empathy and candor.
Parks rejected clichés of delinquency, drug use and corruption, opting for a more nuanced view that reflected the social and economic factors tied to criminal behavior and afforded a rare window into the working lives of those charged with preventing and prosecuting it. Transcending the romanticism of the gangster film, the suspense of the crime caper and the racially biased depictions of criminality then prevalent in American popular culture, Parks coaxed his camera to record reality so vividly and compellingly that it would allow Life’s readers to see the complexity of these chronically oversimplified situations. The Atmosphere of Crime, 1957 includes an expansive selection of never-before-published photographs from Parks’ original reportage.
Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. He evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. The first African-American director to helm a major motion picture, he helped launch the blaxploitation genre with his film Shaft (1971). Parks died in 2006.
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