如智利圣地亚哥的当代艺术博物馆(Museo de Arte Contemporáneo MAC)、马德里的国家艺术中心(Museo Nacional Centro de Arte Reina Sofia)、巴黎的世纪艺术博物馆(Le Centequatre)、北京国家美术馆(National Art Museum)、首尔艺术博物馆(Seoul Museum of Art)、台北美术馆(Taipei Fine Arts Museum,苏黎世的Haus Konstruktiv博物馆以及其他许多博物馆。
This book documents for the first time the space-specific installations that Zimoun has realized since 2009.
Swiss artist Zimoun enjoys significant international renown for an oeuvre that he has been creating over a period of some twenty years. Zimoun uses mechanical principles of rotation and oscillation to set things in motion and generate sounds. He uses mundane, unspectacular materials and conventional industrial products. For his works, he develops small, minimalist apparatuses that generate tonal and visual complexity when activated, despite their fundamental simplicity. These mechanical contraptions are often used hundreds of times in the installations, creating visual and acoustic spaces with fascinating power and poetry.
This book presents sixty-five of these site-specific installations that Zimoun realized between 2009 and 2021 in various art galleries and museums around the world. The full-page images are supplemented with brief texts by international authors, who outline a variety of perspectives on Zimoun’s work. Two concise essays consider and position his oeuvre in the wider international and art historical context. QR codes provided with all the images extend the book by enabling the direct playback of video documentations available online, thus offering the reader the additional dimension of sound and movement—the essential elements of Zimoun’s art.
如智利圣地亚哥的当代艺术博物馆(Museo de Arte Contemporáneo MAC)、马德里的国家艺术中心(Museo Nacional Centro de Arte Reina Sofia)、巴黎的世纪艺术博物馆(Le Centequatre)、北京国家美术馆(National Art Museum)、首尔艺术博物馆(Seoul Museum of Art)、台北美术馆(Taipei Fine Arts Museum,苏黎世的Haus Konstruktiv博物馆以及其他许多博物馆。
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