安妮·玛丽·卡尔·尼尔森(Anne Marie Carl Nielsen)是丹麦最伟大的女性雕塑家,但她的作品仍为许多人所知。这些书讲述了一个有关丹麦女艺术家的相关故事,她为后代奠定了基础。安妮·玛丽·卡尔·尼尔森(Anne Marie Carl Nielsen,1863-1945)可能因与丹麦作曲家卡尔·尼尔森(Carl Niellsen)的婚姻而闻名。但她绝对是一位艺术家。她的作品在她那个时代得到了极大的认可,她为许多女性艺术家让路,以便她们能够教育和表演自己的艺术。她是世界上第一位承担了世界上两个最负盛名的专业雕塑项目的女性:一座国王的马术雕像(丹麦基督教九世)和一座大教堂的青铜门(里贝大教堂)。自相矛盾的是,尽管安妮·玛丽·卡尔·尼尔森(Anne Marie Carl Nielsen)在石膏和青铜方面的广泛而不懈的工作使她成为几代丹麦雕塑家的鼓舞人心的榜样,但这还没有为她在艺术史上赢得应有的地位。
Anne Marie Carl-Nielsen was Denmark’s greatest female sculptor, yet her work is still unknown to many people. The books tells a relevant story about a female Danish artist who laid the foundation for later generations. Anne Marie Carl-Nielsen (1863-1945) might be best known for her marriage to the Danish composer Carl Nielsen. But she was definitely was an artist in her own right. Her work was greatly acknowledged at her time, and she made way for many female artists so that they could educate and perform their art. She was the first woman in the world to undertake two of the most prestigious projects in the world of professional sculpture: an equestrian statue of a king (Christian IX of Denmark) and bronze doors for a cathedral (Ribe Cathedral). Paradoxically, while her extensive, tireless work in plaster and bronze has made Anne Marie Carl-Nielsen an inspiring role model for generations of Danish sculptors, it has not yet earned her a justified place in art history.
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