Albert Oehlen 阿尔伯特·厄伦绘画艺术书籍作品画册集大开本进口原版图书

奥伦从早期的作品到现在的艺术手法，应有尽有。无论是用镜子作画，还是用原色或只用灰色作画，无论是重度像素化的电脑画，还是画布上的华丽海报广告：400多幅特色作品证明了大胆创新的策略，这也确保了欧伦作为 "在世的※足智多谋的抽象画家 "的地位。

616 9.1折 680 九五品

库存2件

北京通州

认证卖家担保交易快速发货售后保障

作者Hans Werner Holzwarth

出版社TASCHEN

ISBN9783836508971

出版时间2018-01

印刷时间2018-01

印数1千册

装帧精装

开本16开

纸张铜版纸

页数488页

字数1千字

定价680元

上书时间2022-05-07

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商品详情

品相描述：九五品

商品描述: 绘画新策略

绘画的新策略

对阿尔伯特•厄伦艺术作品的完整调查阿尔伯特•厄伦的绘画以大胆的策略、怀疑形象和抽象的规则而著称，还通过各种不可能的方式达到开放和美从而取胜。通过修改和更新TASCHEN出版社之前的收藏家版本，这项具有启发性的调查探索了厄伦从他的早期到现在的发展轨迹。本书囊括了400多件绘画作品，以及富有见地的评论和采访，它们涵盖了厄伦不同的创作阶段和手法。厄伦与John Corbett谈论了电脑绘画，在与Alexander Klar的长谈中，他还介绍了他近期的作品、他对艺术的看法，以及他在工作室的一天。厄伦被称为当今极富头脑的抽象派画家
艺术家

阿尔伯特-奥伦1954年出生于德国克雷菲尔德。1978年从汉堡Hochschule für Bildende Kunst毕业后，他在80年代初崭露头角，并在国际上展出。受Georg Baselitz、Sigmar Polke和Gerhard Richter的影响，Oehlen的作品专注于绘画的过程，揭露其结构性元素。他现居瑞士。

作者

罗伯托-奥尔特，1954年出生于智利圣地亚哥，现居德国汉堡，自1990年以来，他撰写了关于艺术的文章，策划了许多展览，并与他人共同创办了Akademie Isotrop（1996-2001）。自2001年起，他与Juli Susin合作，通过银桥出版社编辑艺术家的书籍。约翰-科贝特是一位居住在芝加哥的策展人和作家。他是Corbett vs. Dempsey画廊的共同拥有者，《Extended Play》（1994）、《Microgroove: Forays into Other Music (2015), and Vinyl Freak: Love Letters to a Dying Medium（2017），他还为Corbett vs. Dempsey的厂牌制作CD。 Martin Prinzhorn是维也纳大学的语言学家，也是一位艺术评论家，经常在艺术书籍和杂志上发表文章。在其他许多人中，他曾写过关于乔治-巴塞利茨、安吉拉-布洛赫、莱西亚-多尔-雷西奥、威尔-福勒、莎拉-卢卡斯和马丁-基彭贝格的文章。亚历山大-克拉尔（Alexander Klar）是一位艺术史学家，也是威斯巴登Hessisches Landesmuseum的馆长。他曾写过《新自由》（Neue Freiheit: 新自由：1945年以来的抽象主义》（2010年）、《鲁伊-伊纳西奥。真实的影像》（2010年），以及Albert Oehlen: Die 5000 Finger von Dr. Ö (2014)，并编辑了许多展览目录。
编辑

汉斯-维尔纳-霍尔茨瓦特是一名图书设计师和编辑，擅长当代艺术和摄影。他的TASCHEN出版物包括收藏版Jeff Koons、Christopher Wool、Albert Oehlen、Ai Weiwei、David Hockney SUMO A Bigger Book，以及像XXL尺寸的Jean-Michel Basquiat这样的专著。
艾伯特-欧伦

New Strategies in Painting

The paintings of Albert Oehlen live by audacious strategies, by questioning the image and the rules of abstraction, and by an openness and beauty often reached through the unlikeliest of means.

In this expansive monograph, we meet the full range of Oehlen’s artistic thoughts and approaches: paintings that integrate mirrors, paintings that are executed strictly in primary colors or only in gray, heavily pixelated paintings produced with the help of one of the first personal computers. We find collaged fragments of garish poster ads on canvases that transforming screaming slogans into abstract elements, charcoal drawings the size of a wall, finger paintings, and paintings in which black treelike silhouettes contort themselves into a lexicon of abstract forms. Throughout, Oehlen transforms the conceptual into the compositional, at once invigorating and challenging the viewer.

Revising and updating TASCHEN’s previous Collector’s Edition, this revelatory survey explores Oehlen’s trajectory from his early days up to the present. It features more than 400 paintings as well as insightful commentaries and interviews, covering Oehlen’s different work stages and approaches. Roberto Ohrt’s essay takes us back to the special vibe of the early 1980s where Oehlen worked alongside Kippenberger, Büttner, and others, part of a scene that painted quickly and close to the pulse of time. Oehlen discusses his computer paintings with John Corbett, and follows up on his more recent work, his thoughts on art, and his day in the studio in a lengthy conversation with Alexander Klar. Together with a collection of shorter texts and statements, this brings us close to the ideas of an artist who has been dubbed “the most resourceful abstract painter alive.”

The artist

Albert Oehlen was born in Krefeld, Germany, in 1954. After graduating from the Hochschule für Bildende Kunst, Hamburg, in 1978, he came to prominence in the early 1980s, and has exhibited internationally. Influenced by Georg Baselitz, Sigmar Polke and Gerhard Richter, Oehlen's work focuses on the process of painting, exposing its structural elements. He lives in Switzerland.

The authors

Roberto Ohrt, born 1954 in Santiago de Chile, lives in Hamburg in Germany, and since 1990 has written on art, curated numerous exhibitions, and co-founded the Akademie Isotrop (1996–2001). Since 2001, he edits artist’s books through the Silverbridge publishing house in collaboration with Juli Susin.

John Corbett is a curator and writer based in Chicago. He is the co-owner of Corbett vs. Dempsey Gallery, author of Extended Play (1994), Microgroove: Forays into Other Music (2015), and Vinyl Freak: Love Letters to a Dying Medium (2017), and he produces CDs for Corbett vs. Dempsey’s label.

Martin Prinzhorn is a linguist at the University of Vienna and an art critic who regularly publishes essays in art books and magazines. Among many others, he has written on Georg Baselitz, Angela Bulloch, Lecia DoleRecio, Will Fowler, Sarah Lucas, and Martin Kippenberger.

Alexander Klar is an art historian and director of the Hessisches Landesmuseum in Wiesbaden. He has written the books Neue Freiheit: Abstraktion nach 1945 (2010), Rui Inácio: True Images (2010), and Albert Oehlen: Die 5000 Finger von Dr. Ö (2014), and has edited numerous exhibition catalogs.

The editor

Hans Werner Holzwarth is a book designer and editor specializing in contemporary art and photography. His TASCHEN publications include the Collector’s Editions Jeff Koons, Christopher Wool, Albert Oehlen, Ai Weiwei, and the David Hockney SUMO A Bigger Book, as well as monographs like the XXL-sized Jean-Michel Basquiat.

Albert Oehlen

Albert Oehlen, Roberto Ohrt, John Corbett, Martin Prinzhorn, Alexander Klar, Hans Werner Holzwarth

Hardcover, 25 x 33.4 cm, 3.58 kg, 496 pages

ISBN 978-3-8365-0897-1
Multilingual Edition: English, French, German