Indian Tiles 进口艺术 印度瓷器
Arthur millner 是印度和伊斯兰艺术领域的顾问和独立学者。他在伦敦 soas、维多利亚和阿尔伯特博物馆、皇家亚洲学会(royal asiatic society)和东方地毯与纺织学会(oriental rug and textile society)发表演讲。他著有多篇文章和2015年出版的《大马士革瓷砖》(prestel)。他也在业余时间自己做瓷砖。
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作者Arthur Millner
出版社Prestel
ISBN9783791387666
出版时间2021-09
印刷时间2021-09
印数1千册
装帧平装
开本16开
纸张铜版纸
页数304页
字数1千字
定价913元
上书时间2021-11-26
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历史上的印度，现在包括印度、巴基斯坦和孟加拉国等现代国家，以其丰富的建筑和装饰艺术而闻名，但在琉璃瓦方面却鲜为人知。阿瑟-米尔纳以丰富的插图叙述了整个南亚次大陆的瓷砖发展，从而打开了这个迄今为止被忽视的主题。米尔纳追溯了这种工艺在穆斯林波斯、阿富汗和中亚的根源，展示了进口的上釉技术如何与当地古老的泥土工艺传统相结合。他探讨了从古代到殖民时期印度瓦片的生产、设计和影响，通过一系列关键时代追溯历史演变，包括印度北部的德里苏丹国和莫卧儿帝国，以及德干、孟加拉、中印度和印度河地区的独立苏丹国。四百多张照片，其中许多是鲜为人知的景点，这些照片来自作者多年的旅行以及同事、维多利亚和阿尔伯特博物馆的档案、拍卖行和其他知名机构。这些图片既捕捉到了建筑背景，也捕捉到了鲜艳色彩和复杂设计的视觉吸引力，并提供了不同风格和技术的视觉简编。它们共同为该地区几个世纪以来的文化、艺术演变的一个重要和受环境威胁的方面提供了一个独特的记录--它将吸引专家和普通读者，包括对印度历史和建筑感兴趣的人，以及对伊斯兰艺术和陶瓷感兴趣的人。
Historic India, which now encompasses the modern nations of India, Pakistan and Bangladesh, is celebrated for the richness of its architectural and decorative arts, but less well known for glazed tiles. Arthur Millner opens up this hitherto neglected subject with a richly illustrated narrative of the development of tiles across the South Asian Subcontinent. Millner traces the craft’s roots in Muslim Persia, Afghanistan and Central Asia, showing how imported glazing techniques combined with an ancient local tradition of clay craftsmanship. He explores the production, designs and influences in Indian tiles from antiquity to the colonial period, tracing the historical evolution through a series of key eras, including the Delhi Sultanate and the Mughal Empire in Northern India as well as the independent sultanates in the Deccan, Bengal, Central India and the Indus region. Although glazed tiles are generally associated with Islam, they also briefly flourished in both Hindu strongholds, such as Gwalior and Orchha, and in Christian Portuguese-ruled Goa. More than four hundred photographs, many of little-known sites, are drawn from the author’s years of travel as well as from colleagues, the archives of the Victoria and Albert Museum, auction houses and other celebrated institutions. These images capture both the architectural context and the visual appeal of the vibrant colors and intricate designs, and provide a visual compendium of the different styles and techniques. Taken together they offer a unique chronicle of an important and environmentally threatened aspect of the region’s cultural, artistic and religious evolution over centuries—one that will appeal to both the specialist and general reader including anyone with an interest in Indian history and architecture, as well as those interested in Islamic art and ceramics.
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