Giovanni Bellini: The Last Works 乔瓦尼·贝利尼：晚期作品 进口艺术
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北京通州
认证卖家担保交易快速发货售后保障
作者David Alan Brown
出版社Thames & Hudson
ISBN9788857239965
出版时间2019-06
印刷时间2019-06
印数1千册
装帧平装
开本8开
纸张铜版纸
页数400页
字数1千字
定价679元
上书时间2021-11-12
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贝里尼最后的作品，在这里的新学术研究，代表了一个胜利的天鹅歌曲代表大师画家的四重奏，乔瓦尼·贝利尼仍然活跃在那个时期以后，进入时代，现在被称为文艺复兴全盛期。虽然他的同事去世或淡出人们的视野，但在16世纪的前几十年，贝里尼继续保持着创造性的活力: 事实上，他前所未有的蓬勃发展。贝里尼在晚年(1513-16)创作的六幅绘画作品构成了一个独特的群体，在风格、支持、主题和情绪上都与他以前的作品大不相同。他们的主题是由他的赞助人规定的，但在他越来越依赖助手的时期，贝里尼决定亲自创作并执行这些作品，表明了他对这些作品的特殊承诺。华盛顿特区国家美术馆的神的晚餐以及其他相关作品，比如维也纳的《拿镜子的女人》和本桑松的《醉酒的诺亚》 ，展示了大幅扩展的题材范围和新的发明程度。新的技术调查在抓住贝里尼最后作品的新颖性方面发挥了关键作用。最近在国家美术馆进行的科学调查标志着艺术作品技术分析的重大进步。它真正地为神的晚餐提供了新的光线，使我们比以往任何时候都更清楚地看到隐藏在绘画表面之下的图像或图案。这本书有着丰富的彩色图版，是这项研究的成果，深入探讨了贝里尼最伟大的，最后的胜利阶段，乔瓦尼 · 贝里尼(约1430-1516)是文艺复兴时期，最有影响力的威尼斯艺术家之一。他以对自然光的开创性描绘而著称，在诸如《花园中的痛苦》这样的画作中可以看到，还有他的祭坛装饰画。他的妹夫是 andrea mantegna，他可能影响了 bellini 的早期作品(antonello da m
Bellini's last works, examined here in new scholarship, represent a triumphant swan song
An emblematic master painter of the Quattrocento, Giovanni Bellini remained active beyond that period and into the era now known as the High Renaissance. While his colleagues died or faded from view, Bellini, in the first decades of the 16th century, continued to be creatively vital: indeed, he flourished as never before.
The six paintings Bellini made during his final years (1513–16) constitute a distinct group that differs significantly from his previous works in style, support, subject and mood. Their subjects were stipulated by his patrons, but in a period in which he relied more and more on assistants, Bellini’s decision to undertake and personally conceive and execute them points to a special commitment on his part to their creation. The Feast of the Gods at the National Gallery of Art, Washington, DC, and other works that follow it, such as the Woman with a Mirror in Vienna and the Drunkenness of Noah in Bensançon, display a greatly expanded range of subject matter and a new degree of inventiveness.
New technical investigations have played a key role in grasping the novelty of Bellini’s last works. Recent scientific investigation at the National Gallery of Art marks a major advance in the technical analysis of works of art. And it literally sheds new light on The Feast of the Gods, allowing us to see more clearly than ever before images or motifs hidden below the paint surface. With an abundance of color plates, this book is the fruit of this research, and provides a deep dive into Bellini’s greatest, final, triumphant phase.
Giovanni Bellini (c. 1430–1516) was one of the most influential Venetian artists of the Renaissance. He is celebrated for his pioneering portrayal of natural light, seen in such paintings as The Agony in the Garden, and for his altarpieces. His brother-in-law was Andrea Mantegna, who may have influenced Bellini’s early works (Antonello da Messina, who visited him in 1475-76, is also considered a likely influence). Bellini’s career spanned 65 years; toward the end of his life, Dürer wrote of him that he “is very old and yet he is the best painter of all.”
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