Due to the frequent transformations in his art from one style to another, and thus his work has not been easily characterized or identified. Nevertheless, he has forged a powerful artistic persona as a process artist with a certain pop inflection, who not only grapples with formal and theoretical concerns but also explores themes of history, culture, and Americana. Working with materials ranging from cotton balls, sash cords, and pegboards, to acrylic and rhoplex, and exploring such themes as the grid, the history of cotton, ancient civilizations, an assortment of “dubious characters,” paintings that paint themselves, as well as meditations on the studio, Zucker merges materials, process, and content―abstract and otherwise―to produce compelling works of extraordinary inventiveness, irony, and passion.
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