扬·范·艾克(Jan van Eyck,约1390-1441)经常被模仿,但从未被等同,他给文艺复兴时期的艺术留下了不可磨灭的印象,并为未来的现实主义画家铺平了道路。阿诺菲尼肖像以其前所未有的精确性和对色彩的娴熟运用,描绘了一对年轻夫妇的婚礼,证明了早期尼日兰学派领袖弗拉芒画家的精湛技艺。范艾克画世俗和宗教题材,强调自然主义和现实主义之间的15世纪日常生活和诗意,天堂设置无缝移动。他用油画创作了一种新的媒介,使色彩具有很强的强度和深度。追溯艺术家的令人印象深刻的作品在这个精装调查他的工作,包括祭坛,单面板宗教人物,并委托肖像。本出版物还提供了范艾克作品的年表,包括范艾克死后仍在继续的工作坊的作品。 Often imitated but never equaled, Jan van Eyck (c. 1390-1441) left an indelible impression on Renaissance art and paved the way for future realist painters. With its unprecedented precision and masterful use of color, The Arnolfini Portrait, depicting the wedding of a young couple, is testament to the mastery of Flemish painter, leader of the Early Netherland School. Van Eyck painted both secular and religious subject matters, emphasizing a Naturalism and Realism that moved seamlessly between 15th century everyday life and poetic, heavenly settings. Working with oil paint, he innovated the medium, allowing for great intensity and depth of color. Trace the artist's impressive oeuvre in this hardcover survey of his work, including altarpieces, single panel religious figures, and commissioned portraits. Featuring enlarged details and close analyses of masterpieces like The Ghent Altar, this publication also offers a chronology of van Eyck's production, including the output of his workshop which continued even after his death.
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