几十年来,作为一位相对默默无闻的艺术家,希尔玛·阿芙·克林特(Hilma af Klint)最近在艺术史上追捧了自己应有的地位,但引人注目的是:她2019年在古根海姆博物馆(Guggenheim Museum)的展览吸引了超过50万游客。2013年,馆长Iris Muller-Westermann组织了af-Klint作品的首次回顾展。现在,她向我们介绍了一个广泛的调查显示,与米琳娜Høgsberg策划,在现代博物馆在马尔默,这本书的陪同下,补充与最新的信息和研究阿夫克林特复制品。
With new scholarship, this volume casts af Klint as a pioneering cosmonaut of inner space
For decades a relatively unknown artist, Hilma af Klint has posthumously claimed her rightful place in art history recently but dramatically: her 2019 exhibition at the Guggenheim Museum was seen by more than half a million visitors. In 2013, curator Iris Muller-Westermann organized the first retrospective exhibition of af Klint’s work. Now she presents us with an extensive survey show, curated with Milena Høgsberg, at the Moderna Museet in Malmö, which this volume accompanies, supplementing reproductions with the latest information and research on af Klint.
Hilma af Klint: Artist, Researcher, Medium investigates, from a variety of perspectives, the question of how this trailblazing abstract artist linked her painting to a higher consciousness. Essays by art historians, a quantum physicist, a spiritual teacher and an historian of theosophy and esotericism, among others, provide insights into a world beyond the visible which fascinates us now even more than ever.
Hilma af Klint (1862-1944) was a Swedish painter whose simultaneous fascination with art and spiritism led her to produce one of the most astonishing oeuvres in modern art history. Her conventional landscape paintings and botanical illustrations served as her main source of income, but her true lifelong passion lay in the art she created as a result of otherworldly communication. Af Klint’s private works not only demonstrate perhaps the first example of true abstraction in Western painting; they also convey a complex, deeply felt system of spirituality that guided af Klint throughout her life and career.
以下为对购买帮助不大的评价