Judd 英文原版 贾德
MoMA对美国雕塑家唐纳德·贾德（Donald Judd）30年来的第一次回顾展的配套目录是对这位已故艺术家的一次令人惊叹的致敬。（娜塔莎·沃尔夫·福布斯：媒体）
￥ 438 7.0折 ￥ 627 九五品
库存2件
作者Thames & Hudson 著
出版社Thames & Hudson
ISBN9781633450325
出版时间2020-02
印刷时间2020-02
印数1千册
装帧精装
开本12开
纸张铜版纸
页数304页
字数1千字
定价627元
上书时间2021-03-19
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- MoMA的“Judd”简洁而集中，明确地将雕塑放在他实践的中心位置，这一点常常被简化为极简主义——这一术语与“雕塑”很像，他反对。从20世纪60年代初创作的早期绘画到他最常被联想到的无标题金属雕塑，展览强调了艺术家对实验的偏好，突出了他利用形式、材料和周围环境重塑传统艺术实践的各种方式。（路易斯·苏拉德·多莫斯）
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30年来第一次回顾美国特立独行的唐纳德·贾德的极简主义雕塑、建筑和家具
这本书的出版是为了配合美国30多年来首次举办的唐纳德·贾德（Donald Judd）雕塑回顾展，贾德探索了一位具有里程碑意义的艺术家的作品，在他的职业生涯中，他发展了一种材料和形式词汇，改变了现代雕塑领域。
唐纳德·贾德（donaldjudd）是20世纪60年代寻求完全摒弃幻想、叙事和隐喻内容的一代艺术家之一。根据他的定义，他转向三维以及工业工作方法和材料，以研究“真实空间”。朱德考察了艺术家作品的演变，从60年代初的绘画、浮雕和手工制品开始；到他在三个维度上建立了一个标志性的作品词汇表，包括空心盒子、堆叠和商业制造商用金属和塑料制作的进行；在他生命的最后十年里，他继续与色彩进行着广泛的接触。
这本图文并茂的目录对贾德的成就进行了仔细的观察，并利用贾德基金会和其他地方最新可用的档案材料，扩展了对他的工作的学术观点。论文涉及的主题，如他早期的绘画开始，他的雕塑，他的网站具体作品和他的作品在设计和建筑的制造。
唐纳德·贾德（1928-94）开始了他的职业生涯，他是一名画家，同时研究艺术史和撰写艺术评论。作为我们这个时代最重要的雕塑家之一，朱德拒绝了这个称号和其他给他的艺术贴上标签的尝试：他在形式、材料、工作方法和展示方面的革命性方法超出了本世纪中叶纽约的现有术语。他的作品反过来又改变了现代雕塑的语言。
The first retrospective in 30 years on American maverick Donald Judd’s minimalist sculpture, architecture and furniture
Published to accompany the first US retrospective exhibition of Donald Judd’s sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture.
Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate “real space,” by his definition. Judd surveys the evolution of the artist’s work, beginning with his paintings, reliefs and handmade objects from the early 1960s; through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks and progressions made with metals and plastics by commercial fabricators; and continuing through his extensive engagement with color during the last decade of his life.
This richly illustrated catalog takes a close look at Judd’s achievements, and, using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. The essays address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces and his work in design and architecture.
Donald Judd (1928–94) began his professional career working as a painter while studying art history and writing art criticism. One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods and display went beyond the set of existing terms in midcentury New York. His work, in turn, changed the language of modern sculpture.
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