Central Collecting Point in Munich - A New Beginning for the Restitution and Protection of Art
这个标题提供了一个平衡和信息丰富的概述的主题。散文的风格和大量的照片使纪念性人物的艰难而重要的作品栩栩如生。”，亚历山大·亚当斯艺术“艾里斯·劳特巴赫梳理了大量档案材料，她的书是迄今为止对中国共产党最完整的描述之一。”《时代文学副刊》对作者阿波罗·劳特巴赫是慕尼黑中央艺术学院的研究员，在慕尼黑的技术大学任教。
￥ 545 6.2折 ￥ 880 九五品
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作者Lauterbach, Iris
出版社Getty Trust Publicat
ISBN9781606065822
出版时间2019-01
印刷时间2019-01
印数1千册
装帧精装
开本16开
纸张铜版纸
页数320页
字数1千字
定价880元
上书时间2020-09-02
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第二次世界大战结束时，美国驻德国和巴伐利亚军事政府办公室通过其古迹、美术和档案处负责将纳粹在占领国掠夺的数万件艺术品中的大部分归还。在美国陆军纪念馆的帮助下，人们从他们战时的藏身处取回了大量的文物，并对其进行了清点，以便遣返。这些文物是由一批精心挑选的艺术史学家和博物馆专业人员负责的。
At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artwork looted by the Nazis in the countries they had occupied. With the help of the US Army’s Monuments Men— the name given to a hand-picked group of art historians and museum professionals commissioned for this important duty—massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation.
Iris Lauterbach’s fascinating history documents the story of the Allies’ Central Collecting Point (CCP), set up in the former Nazi Party headquarters at Königsplatz in Munich, where the confiscated works were transported to be identified and sorted for restitution. This book presents her archival research on the events, people, new facts, and intrigue, with meticulous attention to the official systems, frameworks, and logistical and bureaucratic enterprise of the Munich CCP in the years from 1945 to 1949. She uncovers the stories of the people who worked there at a time of lingering political suspicions; narrates the research, conservation, and restitution process; and investigates how the works of art were managed and returned to their owners.
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