chernikhov安排俄语名词fantaziia(translated as “fictions)作为标题有两方面不同的意义。一方面,这些建筑手绘图简单地用于激发学生想象力;而另一方,chernikhov在头脑中有非常具体的构想性的建筑形式。
the plates themselves display this double orientation ,at times looking as though they are multicolored perspectival representations of actual constructivist works for which one assumes there must have been plans and at times appearing as grotesques or indulgent fantasies based on similar themes ,such as arching ,dematerialized forms or floating compositions resembling miniature abstract paintings。
for all his evident debt to Malevich‘s suprematism ,chernikhov’s aims were altogether more exuberant ,worldly and seductive.
chernikhov always frankly sought what he called aristografia ,or “the art of creating the beautiful graphic image.”
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