内容简介: 良渚文化遗址中大量玉器的出土,使玉器几乎成为了良渚文化的代名词。玉器是良渚先民所创造的物质文化和精神文化的精髓。良渚文化玉器达到了中国史前文化的高峰,其数量之众多、品种之丰富、雕琢之精湛,在同时期中国乃至环太平洋地区拥有制玉传统的部族中,独占鳌头。而其深厚的历史文化底蕴,更给世人带来了无限的遐想。同时对后世也产生了较为深远的影响。LiuBin、MaDongfeng编著的《LIANGZHUJADES(精)》收录了出土的良渚玉器以供读者鉴赏。 摘要: The research of the Liangzhu Culture culminated with the discovery of the elite cemeteries at the Fanshan and Yaoshan Sites in 1986 and 1987, respectively. The rich elite tombs, buried with thousands of jade items and interred in enormous artificial platforms are the fruit of well-organized, multipleoperational, and laborious production by the Liangzhu society as well as a direct reflection of its social wealth. The social status and hierarchy of the tomb occupants, manifested by the combination and quantity of the jade items they owned, are the hallmark of the social order or power of the society, and become the unique material lens to understand the Liangzhu social structure. Many of the jade products discovered from the Fanshan and Yaoshan Cemeteries have unprecedented shapes amongst the discovered and transmitted jade items. Indeed, some of the types of the jade are unique in prehistoric China. According to the excavation information, except for several jade forms such as cong tubes and bi disks, most jades could be categorised into three main groups: assembled object, stitched object and inlaid object. Such categorization leads to our successful reinstallation of several sets of important objects, including a complete set ... 目录: Preface Yan Wenming
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