Diversities in Aesthetics：Selected Papers of The 18th Congress of International Aesthetics

图书标准信息

• 作者 高建平、彭锋、叶朗 著
• 出版社 中国社会科学出版社
• 出版时间 2013-07
• 版次 1
• ISBN 9787516129401
• 定价 168.00元
• 装帧 平装
• 开本 16开
• 纸张 胶版纸
• 页数 755页
• 正文语种 英语

【内容简介】

　　《DiversitiesinAesthetics：SelectedPapersofThe18thCongressofInternationalAesthetics（英文版）》共分为八部分，主要内容包括：NewApproachestoAesthetics、AestheticsofHumanBody、HistoryofWesternAestheticsandArt、ChineseAestheticsandArt、ComparativeAesthetics：EastandWest等。

【目录】

SpeechforOpeningCeremoniesInternationalCongressforAestheticsBeijing，August，2010
OpeningceremonyICA，Beijing，August，2010
ⅠNewApproachestoAesthetics
JosephMargolis，TheQuestionofObjectiveValueinaGlobalWorld
WolfgangWelsch，AtPointZeroofCreation
Ale（s）Erjavec，Art：Modern，Postmodern，RelationalorContemporary?
WilliamL.McBride，PhilosophyandLiteratureasProgramandasIdeal
WongMuk，FictionalEmotionandItsRationality
René；evandeVail，PlayingSurveillance：OnRules，Technology，Intimacy，andArt
SibelKihc，Socio-PoliticalandCulturalInfluencesOverTransformationandTransitionofArtistsandArtworksinPostmodernistMilieu
SixtoJ.Castro，BeautyasaNecessaryConditionofArt，andItsRoleintheBuildingofaSociety
NadezdaCacinovic-Puhovski，ArtasanObjectandtheSocialLifeofThings
AlexandraBelezaMoreira，ImageStrangenessandPossibility
AnnuWilenius，BareHouse.Pori-Rotterdam-Ulaanbaatar：OnNomadicandModernistSpatialIdeals
DarkoStrajn，Counter-IdentificationandPoliticsofArt
PolonaTratnik，Transaesthethetics：Aesthetics，ArtandScienceafterthePostmodernTurn
JingeunCho，FromAestheticstoVisualCultureCriticism：FocusingontheCritiqueofthePowerofImage
KengoMiyazono，ImaginativeResistanceandTruthinFiction
NoelCarroll，ComicAmusement，EmotionandCognition
TainaRajanti，CapitalismandAisthesis——Life，AppearanceandArtinWalterBenjamin'sWork
UllaKarttunen，ArtasCrime：ThePossibilityofCriticalArtinaMarket-basedSociety
MasashiOishi，TheLogicofImagination：DialecticsofObjectificationandSignification
ThroughtheCorrelativeandtheSelf-ReflectiveRelationshipBetweenSubject（theinner）andObject（theouter）（202）
ⅡAestheticsofHumanBody
AkihisaIwaki，TheBodyasanImageProcessor
YosakuMatsutani，TouchMeIfYouCan!：AHistoricalAnalysisoftheControloftheHumanBodyThroughImage
KikukoToyama，ArsVivendiReclaimed：OntheVirtueoftheBodyin"Neo-Pre-Modernist"ArtPractices
ⅢHistoryofWesternAestheticsandArt
AengusDaly，ArtandTechnology——TwoOriginsofTruth：AristotleandHeideggeronBeing，TimeandtheProblemofMovement
SherylTuttiRoss，AestheticAkrasia，GuiltyPleasures，andthePoliticsofFeministResponsestoArt
AlbertvanderSchoot，WhenDidtheGoldenSectionBecomePartoftheTheoryoftheMaker?
JunkoNinagawa，TouchinganImage——BorderIlluminationoftheFlandersManuscriptsduringtheAgeofJohannesGutenberg
YuHyunju，TheStudyoftheCorrelationofAdorno's"AestheticNominalism"withPostmodernArtTheory
FutoshiHoshino，Avant-gardeArtandCapitalism：AnAspectofthe"Sublime"inJ.-F.Lyotard
AycaMazman，ACriticismofWeinbergandMeskin'sAlternativeAccountoftheCognitiveImagination
NorihideMori，TheDevelopmentofSartreanEthicsAfterWorldWarⅡ：MoralAttitudesinArtisticRelation
MehrnazMolavi，AestheticExperienceanditsInteractionwithKnowledge
ⅣCity，CountrysideandEnvironment
ArnoldBerleant，TheAestheticPoliticsofEnvironment
AllenCarlson，TenStepsintheDevelopmentofWesternEnvironmentalAesthetics
JoosikMin，PlayingNature：AestheticImplicationof"RecordonPlayingMountain"
YurikoSaito，FutureDirectionsforEnvironmentalAesthetics
RaffaeleMilani，TheAestheticsoftheAntiqueCity
TugbaErdil，ReadingthePostmodernOnBuiltEnvironment：UrbanAestheticsofIstanbulandCulturalAspectsBehind
ⅤChineseAestheticsandArt
CurtisL.Carter，ChineseContemporaryArt：TheChallengesofUrbanizationand
Globalization
MaryWiseman，WaterandStone：ContemporaryChineseArtandtheSpiritResonanceoftheWorld
DavidAdamBrubaker，NaturalBeautyandLiteratiStroke：Shitao，Merleau-PontyandthePracticeofPainting
PengFeng，PresenceandAbsence：AnAestheticAnalysisofTraditionalChineseArts
DingGuoqi，MarxistAestheticsinChina
ⅥOtherNon-WesternAestheticsandArt
TanehisaOtabe，JapaneseAestheticsfromanInter-CulturalPerspective
FumikazuKishi，TheViewoftheMountainsWas"Amusing"：SurveyingtheApplicationoftheJapaneseAestheticTermOmoshiroshitoNature
HaruhikoFujita，NatureandModernArchitecture：TheReawakeningofNatureinAsianArchitectureinthe1920s
KeikoIshida，JapaneseWarFilmsandRecentPoliticalDiscourseinJapan
KyokoOzawa，HousuiYamamoto'sTheReturnofUrashimaandtheGreco-RomanPhantasmintheThirdDecadeoftheMeijiEra
JungAHuh，TheAestheticsofBetweeninKoreanCulture
MajidHeidary，PersianPaintingasa"NarrativeConstructionofReality"
ImaculadaKangussu，AlogiaandLoveinMacunaima
RonelAlbertidaRosa，Mekango（People-drawing）：GraphicsandSpatialityamongBrazilianIndiansasaNonverbalLanguage
RosaFernandez-G6mez，SavouringtheRasaofLife：TheArtfulYogiinKashmirSaivism
ShuchitaMehta，AestheticPleasure：AUniqueSynthesisofIndianPoeticsandtheUpanishadicThought
ⅦComparativeAesthetics：EastandWest
GaoJianping，TheWheelofFortunevs.theMustardSeed：AComparativeStudyofEuropeanandChinesePainting
RobertWilkinson，TheAestheticandtheReligiousinPlotinusandNishida
WeststerijinThijs，TheFirstWesternDefenseofChineseAesthetics：IsaacVossius'sOntheArtsandSciencesoftheChinese（1685）
NiuHongbao，ConsciousnessofTimeandChineseTraditionalAestheticStyles：AComparativePerspective
PeterLeech，AestheticEleganceCulturalComplicities：JapanandtheWest
AynurCan&RecepBozlagan，AComparativeStudyoflstiklalStreetandKartnerStrasse
ⅧAestheticsofVariousArts
DalilaHonorato，TheSymbolicAestheticsofShadowPlayorthePerseveranceofPuppetTheatreintheDigitalAge
ElahiTowfique，Re/presentingTheArtofMononoAwareandtheQuestionofJapanesenessinOzu'sNorikoTrilogy
ErayChou，ArtNarratives：TheEnd，ortheEmergenceofaNewnorm?
KinyaNishi，AMulticulturalApproachtotheIdeaofTragedy
MichaelRanta，StoriesinPictures（andNon-PictorialObjects）——ANarratologicalandCognitivePsychologicalApproach
Mi-JungKang，DigitalPhotographyandtheProblemoflndexicality：Revising"Photo-IndexTheory"fromaPeirceanPointofView
MojcaPuncer，ArticulationsofSpace，Community，Neighborhoods-Poetics，MicropoliticsinContemporaryArt：AFewExamples
JongChulChoi，TheatricalitybetweenAestheticsandPolitics：TheEthicsofPhotography
SakuramaYuko，InstallationArtandArchitecturalIdea
MasashiSasaki，WhyCan'tWeDiscernAnythingBut"Constant"or"Dissonant"inOrnetteColeman'sImprovisation?——Concerning"ModulationThroughKeys"and"Chromatic"