![摄影构图:迅速提升照片水的150个关键技法 摄影理论 []上田晃司，河野鉄，杉本恭子，種清豊，中川文作，並木隆，ナイスク 新华正版](https://www0.kfzimg.com/sw/kfz-cos/kfzimg/dccafadf/6d4a57a3e25b1efa_b.jpg)
![摄影构图:迅速提升照片水的150个关键技法 摄影理论 []上田晃司，河野鉄，杉本恭子，種清豊，中川文作，並木隆，ナイスク 新华正版](https://www0.kfzimg.com/sw/kfz-cos/kfzimg/5701970/ed458aa82f7b00cb_b.jpg)
摄影构图:迅速提升照片水的150个关键技法 摄影理论 []上田晃司，河野鉄，杉本恭子，種清豊，中川文作，並木隆，ナイスク 新华正版
￥ 25.1 4.3折 ￥ 59 全新
库存64件
河北保定
认证卖家担保交易快速发货售后保障
作者[]上田晃司，河野鉄，杉本恭子，種清豊，中川文作，並木隆，ナイスク
出版社人民邮电出版社
ISBN9787115427229
出版时间2016-07
版次1
装帧其他
开本16
页数163页
字数219千字
定价59元
货号xhwx_1201339250
上书时间2024-10-04
- 最新上架
商品详情
- 品相描述：全新
- 正版特价新书
- 商品描述
-
主编：
调整前后对比图展示，让你可以直观感受到知名构图对作品的巨大影响；
引入辅助线讲解，化繁为简，让晦涩的摄影术语也能一看懂；
自然风光、人物、动物、街拍等主题实战构图讲解，让你可以真正应用到自己的摄影作品中。
目录：
part 1
构图基础知识················ 11
[intro 1]
虑如何构图················ 12
[intro 2]
虑构图方式················14
[step 1]
相机的表现方法
1 横拍/ 竖拍················ 15
2 水拍摄/ 倾斜拍摄············17
3 聚焦拍摄/ 全景拍摄············ 18
4 从高位进行拍摄/ 从低位进行拍摄······ 19
5 变换角度进行拍摄············· 20
6 带有构图意识地使用三脚架·········· 21
7 更换镜头进行拍摄·············· 22
8 改变光圈进行拍摄·············· 24
9 调整快门速度进行拍摄············ 26
[step 2]
构图
1 虑照片主次·················28
2 加法法则···················30
3 减法法则···················32
4 四角构图法则·················34
5 彩法则···················36
6 虑视线···················38
[step 3]
活用范例
1 活用构图范例··················42
2 三分构图法···················43
3 二分构图法···················44
4 对角线构图···················44
5 圆心构图····················45
6 山型构图····················45
7 垂直水构图··················46
8 斜线构图····················46
9 对称构图····················47
10 对比构图···················47
11 曲线构图····················48
12 放线构图···················48
13 三角形构图···················49
14 框架式构图···················49
15 重复构图····················50
16 点构图·····················50
17 组合使用构图元素················51
［实践篇］ 摄影师的观点 构图流程 ①········52
［实践篇］摄影师的观点 构图流程 ②········54
专栏 纵横比与拍摄方法的不同············56
part 2
构图实战···················· 57
[nature]
自然风光
1 使用放线构图，强调樱花枝头垂落的震撼感·············· 58
2 通过重复构图法表现散落的樱花瓣··················· 59
3 通过对比构图发现变化，引发想象···················59
4 使用前景散景，形成框架式构图，突出主题··············· 60
5 通过焦点和两次把画面分割，突出花丛的华丽············61
6 通过二分法构图塑造美感，突出主体·················· 61
7 通过曲线表现花朵的美丽·······················62
8 通过前景散景演绎出花海的感觉····················63
9 通过改变向葵花田的面积改变给人的印象···············63
10 大胆截取山的局部，使湖面变得生动·················64
11 将山以三角形配置，营造出稳定感··················65
12 灵活截取堤坝的部分曲线，营造出不可思议的空间感··········65
13 使用三分法构图，明确主题······················66
14 通过对比荚状云和树木的剪影，营造出距离感··············67
15 通过对称构图表现宇宙般的氛围·····················67
16 通过二分法和三分法构图诠释大海的要素················· 68
17 把水面放在三分法参线下部，表现出天空的高远·············69
18 灵活利用海岸线的曲线，强调壮丽雄伟···················69
19 通过对角线构图表现山岳风光的动感····················70
20 通过v型构图进一步强调山峰的存在感····················71
21 使用三分法构图表现宏大风景的层次感···················71
22 通过山型构图的稳定感刻画瀑布的魄力···················72
23 通过流水的曲线表现溪流的清凉感·····················73
24 使用斜线构图形成对比，表现出水的流动··················73
25 利用放线构图捕捉枝繁叶茂的场景····················74
26 通过山型构图使木质建筑物和红叶形成对比·················75
27 灵活使用重复和曲线构图表达落叶之美···················75
28 通过对角线构图突出主角的存在感·····················76
29 通过将叶片的排列组成图案产生规律感···················77
30 通过相反的进一步突出红叶的调···················77
31 利用三分法构图拍摄夕阳美景·······················78
32 使用山型构图将只有天空和树木的风景变得鲜明···············79
33 巧妙地利用点缀反衬云彩的壮美······················79
34 利用冰瀑的动感姿态营造出规律感·····················80
35 使用垂直构图，对焦拍摄冰棱的黑白世界················81
36 通过斜线和重复构图表现冬季田埂的广袤··················81
37 通过对角线和三分法构图营造动与静····················82
38 从低角度拍摄使雪花如同波浪一般 ····················83
39 通过三角形构图拍摄河流，表现两岸的宽广·················83
40 用广角镜头和放线构图强调光影的延伸··················84
41 去掉多余元素，强调影子的存在感·····················85
42 通过三分法构图营造曲线稳定之美·····················85
43 使用山型构图让引导视线在山脊中移动···················86
44 通过二分法构图进一步强调雪景的壮美···················87
45 使用二分法构图引导视线至主角······················87
[animal]
动物
46 利用斜线引导视线····························88
47 使用广角镜头表现出猫咪独特的柔美····················89
48 用好圆心构图法，活用背景························89
49 使用二分法构图强调猫咪的睡姿······················90
50 使用二分法构图突出身体的局部······················91
51 适当模糊周围刻画热闹市场中的猫咪····················91
52 使用放线构图强调的存在·······················92
53 使用二分法和三分法构图表现出环境的美好·················93
54 使用二分法构图同时刻画主角和背景····················93
55 使用对角线构图和前景散景来强调蝴蝶···················94
56 在拍摄物体面对的方向留下空间，营造出展翅欲飞的效果·······················95
57 使用对角线构图中的动线营造动感································95
58 注意四个角落的空间，表现出动物的气势·····························96
59 通过树叶和猫头鹰的对比演绎出隐藏在茂密林间的风光·······················97
60 截取身体线条凸显出横纹的美好·································97
61 模糊背景，使用三分法构图突出主角·······························98
62 通过圆心构图和框架式构图突出面部特征·····························99
63 截取身体线条表现凶猛气势···································99
64 通过稳定头部曲线展现优雅···································100
65 通过山型构图展现出羽毛的舒展·································101
66 留意企鹅脸部的位置并留出空间·································101
67 通过圆心构图和对比构图表达出的巨大····························102
68 水母重复出现营造出如梦如幻的空间·······························103
69 通过圆心构图和黑白调强调的造型·····························103
70 通过三分法和二分法构图使风景更加稳定·····························104
71 羊群重复出现引导视线向远处移动································105
72 使用圆心构图配合背景演绎出不可思议的空间感··························105
[portrait]
人物
73 使用广角镜头对比牛和小孩···································106
74 使用框架式构图进一步强调女孩的表情······························107
75 通过缓的斜线构图表现出照片的柔美······························107
76 倾斜画面表现出卡丁车的速度感·································108
77 低角度仰拍记录天空，表现出高远的感觉·····························109
78 灵活利用曲线和立体感演绎出欢快氛围······························109
79 倾斜画面进行拍摄，强调孩子的活泼·······························110
80 通过圆心构图法强调孩子活泼的表情和动作····························111
81 采用低角度捕捉孩子自然的表情·································111
82 通过垂直水构图拍摄人物特写·································112
83 采用高角度俯拍捕捉孩子的成熟·································113
84 通过缓的山型构图营造出稳定感································113
85 采用竖向拍摄，有效利用背景空间································114
86 通过三分法构图营造寂寥的氛围·································115
87 通过加法构图拍摄街道风格···································115
88 通过三分法和放线构图表现自然的表情·····························116
89 通过逆光和低角度拍摄出寂寥的氛围·······························117
90 通过三分法构图突出服装这一主题································117
91 通过放线构图使照片演绎出故事感·······························118
92 通过二分法构图突出女形象，激发观众想象力··························119
93 为了突出女形象，创造出框景效果·······························119
94 通过斜线构图突出女存在感··································120
95 使用广角镜头，通过低角度拍摄出女时尚魅力··························121
96 通过二分法构图，利用对比效果大胆表现女···························121
[city & town]
街拍
97 通过放线构图表现小巷的氛围·································122
98 通过对称构图突出稳定的氛围··································123
99 通过二分法构图衡主角和背景的关系······························123
100 通过斜线构图表现环境的广阔·································124
101 通过二分法构图，使用长焦镜头拍摄列车穿行花田的场景·····················125
102 通过点构图演绎出列车驶过后的恬静气氛····························125
103 通过三角形构图营造出明快的空间·······························126
104 通过二分法构图，均衡布置场景让人对红墙壁印象深刻·····················127
105 通过低位拍摄和放线构图表现出大厦的高峻··························127
106 留意四角的要素，使照片拥有绘画般效果····························128
107 虑画面的衡，突出水滴的主角地位·····························129
108 通过曲线构图表现水中倒影··································129
109 通过对角线和对比构图突出街道的模样·····························130
110 通过对称构图的稳定表现街道的活力·····························131
111 尽大可能利用光影形成的线条································131
112 活用曲线构图，表达跃动感··································132
113 使用水的山型构图表现建筑物的稳定·····························133
114 利用放线状分布的火烧云表现寂寥氛围····························133
115 增加配角，调整画面衡···································134
116 将主角安排在三分法的交点位置，通过斜线构图营造出动感····················135
117 通过曲线和放线构图演绎出不可思议的异度空间························135
118 通过放线构图强调不断笔直延伸的道路····························136
119 使用框景效果突出露珠的可爱·································137
120 通过圆心构图使自然形成的空间让人印象深刻··························137
121 将拍摄对象组成三角形，营造画面的深度····························138
122 通过对称构图灵活表现图案之美································139
123 通过三分法构图大程度发挥影子效果·····························139
124 通过广角镜头和圆心构图强调汽车的存在感···························140
125 将车置于宽阔的背景之下，向观众传递该场景··························141
126 通过直线装饰条，突出边缘、强调车身曲线···························141
[table photo & interior]
静物装饰景
127 使用三分法构图的交点来突出菜肴·······························142
128 通过桌面上的线条引导观众视线关注水果的形状·························143
129 灵活使用曲线构图表现菜肴的美味·······························143
130 大胆取舍，表现食物的质感··································144
131 有意识地布置照片元素，刻画出身临其境之感··························145
132 利用交的构图参线使食物让人印象深刻···························145
133 通过形状与彩的对比演绎出甜点的华丽····························146
134 使用三角形构图安排蛋糕的位置······························147
135 使用彩和斜线构图营造动感，演绎流行元素··························147
136 通过滑的线条表现杂物的可爱································148
137 利用三角形构图和四角原则表现乐趣······························149
138 俯拍出照片的立体感并烘托热闹景象······························149
139 使用二分法构图演绎历史感··································150
140 留意物体的水，使目光聚焦在正常的主题上··························151
141 通过俯拍强调拍摄物体的曲线，使其更加立体··························151
142 使用三角形构图表现灯具曲线的动感效果····························152
143 使用对角线构图表现图片中直线交错的效果···························153
144 通过圆心构图和对称构图强调光影·······························153
145 灵活使用斜线表达出房间氛围·································154
146 利用书架的斜线线条增强照片立体感······························155
147 通过白墙壁的线条与家具的对比增强存在感··························155
148 使用s 曲线突出玫瑰的美丽··································156
149 灵活使用散景效果强调花的美好氛围······························157
150 通过圆心构图和流行手法强调花朵特征·····························157
名词解释············································158
作者简介············································162
内容简介：
本书是众多摄影专业人士的构图经验结，通过引导读者虑构图方式来挖掘其拍摄动机，并从相机的表现方法、构图、活用案例这三个方面培养读者的构图意识，树立个人的作品风格，拍摄出新颖、独特的照片。书中不仅介绍了常规的点、线、面、图形等构图元素，还讲述了如何将各个元素融合运用以获得绝美摄影作品的方法。除了基本技法的介绍外，书中还精选了风光、人像、街拍、动物、静物领域的150个实战案例，详尽讲述了构图在不同场景和主题中的应用。
本书适合摄影爱好者，尤其是在构图方面遇到瓶颈的摄影爱好者参阅读，对于有经验的摄影师，本书也同样适用。
作者简介：
上田晃司（うえだこうじ）：留学美国旧金山学摄影及摄像的同时，参与过电视节目、cm和的制作。回国后担任摄影家塙真一的助手，后作为自由摄影师出道。以为杂志撰稿、拍摄广告照片为主。将在世界各地拍摄作为毕生事业。还举办演讲并开始著书。nikon college讲师。
河野铁（こうのてっぺい）：1976年出生于东京。明治学院大学后，师从摄影师terauchi maato。参与写真杂志phat photo的创刊。2003年独立工作。著作有享受相机和摄影的佳教科书（mdn）、时尚照片的拍摄教程（玄光社mook）等。
杉本恭子（すぎもときょうこ）：出生于东京，原来在大型it企业担任系统工程师，之后师从摄影家竹内敏信。作品入选很多摄影比赛，经常被报纸和杂志采用。的著作有我的摄影入门（文艺社viual art）。近在东京和名古屋多次开办摄影教室和摄影交流会。本摄影师协会会员。本摄影协会会员。本摄影治愈法协会理事。
种清丰（たねきよゆたか）：1982 年出生于大阪。从京都产业大学外国语学部德语专业后，师从摄影家竹内敏信。担任了3年助手后，2007 年开始作为自由摄影师出道。在写真教室授课以及进行商品摄影、在专业摄影杂志、网络上刊登照片有关的文章。canon eo 学园讲师。npo法人 pcc俱乐部讲师。本摄影学院讲师。
中川文作（なかがわ ぶんさく）：1983 年出生于茨城县。东京摄影学园后，在tudio 60 工作。辞职后担任摄影师中岛繁树的助手，2008 年作为自由摄影师出道。杂志、广告、人物摄影为主，在很多领域都非常活跃。
並木隆（なみき たかし）：1971 年出生于东京。高中在校时结识摄影家丸林正则。从东京摄影专业学园（现：东京viual art’）退学后，成为自由摄影师。现在为很多杂志供稿，并且在canon eo学园等很多摄影教室中担任讲师。主要是以花为主题进行创作。本自然科学摄影协会会员、本摄影家协会会员。
![摄影构图:迅速提升照片水的150个关键技法 摄影理论 []上田晃司，河野鉄，杉本恭子，種清豊，中川文作，並木隆，ナイスク 新华正版](/dist/img/error.jpg)
— 没有更多了 —
以下为对购买帮助不大的评价