This volume presents the first English-language anthology of writings from Swedish art critic and museum director Ulf Linde (1929-2013). Linde played a key role in the early years of Moderna Museet, facilitating a major coup on its behalf: In 1961, he produced the first replica of Marcel Duchamp's Large Glass, approved and signed by the artist himself. While Linde was a major voice in Sweden for over six decades, he is little known outside of Scandinavia. This anthology rectifies this oversight, compiling Linde's most rigorous and illuminating essays: studies of Swedish painters and other modern masters such as Picasso, Matisse, Picabia and Giacometti, as well as a bevy of theoretical texts including his ambitious final essay on the art of drawing. The volume is generously illustrated and features an introduction by Olle Granath, also a former director of Moderna Museet. 本卷展示了瑞典艺术评论家兼博物馆馆长乌尔夫·林德(1929-2013)的第一本英文作品选集。林德在莫德纳博物馆的早期发挥了关键作用,为其促成了一场重大政变:1961年,他制作了马塞尔·杜尚的《大玻璃》的第一个复制品,并由艺术家本人批准和签名。虽然林德在瑞典有60多年的主要声音,但在斯堪的纳维亚半岛以外,他鲜为人知。 这本选集纠正了这一疏忽,汇集了林德最严谨、最具启发性的文章:对瑞典画家和其他现代大师的研究,如毕加索、马蒂斯、皮卡比亚和贾科梅蒂,以及一系列理论文本,包括他关于绘画艺术的雄心勃勃的最后一篇文章。这本书图文并茂,由前莫德纳博物馆馆长Olle Granath介绍。
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