正版现货新书 戏曲演进史 3 金元明北曲杂剧(上) 9787522517773 曾永义

《戏曲演进史》是曾永义教授以剧种的演进为骨架，参照诸多文献资料与底本，编成的鸿篇巨制，全面阐述了中国戏曲的演进过程，被认为“完善了一代之学的内涵和外延”，是该领域的标志性著作。

 本书为《戏曲演进史》的“金元明北曲杂剧编”之前十三章。各章具体内容依次为：第一章“北曲杂剧之渊源、性成果与分期”、第二章“蒙元北曲杂剧之背景”、第三章“元代北曲杂剧之剧目、题材与内容”、第四章“蒙元北曲杂剧流布之六大中心及其作家作品简述”、第五章“北曲杂剧之理论述评：从元代到明初”、第六章“蒙元北曲杂剧之艺术成分与搬演过程”、第七章“所谓‘元曲四大家’”、第八章“关汉卿研究及其展望”、第九章“关汉卿杂剧述评”、第十章“马致远杂剧述评”、第十一章“白朴、郑光祖杂剧述评”、第十二章“乔吉及其他作家述评”、第十三章“今本《西厢记》综论”。

曾永义（1941—2022），台湾台南县人。台湾大学文学博士，“中研院院士”。长年从事戏曲、俗文学、韵文学、民俗艺术的维护发扬与教学研究工作。曾在哈佛大学燕京学社、斯坦福大学、香港大学、北京大学、中国戏曲学院等知名学府客座讲学或访问合作。出版《戏曲学》《戏曲剧种演进史考述》《戏曲演进史》等戏曲研究类学术著作20 余部，创作戏曲剧本22 种。被誉为当代戏曲研究的“中流砥柱”，其《戏曲演进史》被认为“完善了一代之学的内涵和外延”，是该领域的标志性著作。

丁 金元明北曲杂剧编

序 说·····················································································3

第一章 北曲杂剧之渊源、形成与分期 ··········································6

引 言 ··················································································· 6

一、小戏群源生期“金院本” ····················································· 12

二、小戏发展转型过渡大戏期“金院么” ······································ 16

三、大戏形成始兴期“金蒙么末” ··············································· 24

四、北方大戏大盛期“蒙元么末与元杂剧” ··································· 26

五、大戏南北全盛期“元杂剧” ·················································· 29

六、大戏衰落期“元杂剧” ························································ 33

七、大戏余势期“明初北曲杂剧” ··············································· 36

结 语 ·················································································· 38

第二章 蒙元北曲杂剧之背景 ···················································· 41

一、蒙元之政治社会 ································································ 41

二、蒙元文人之遭遇 ································································ 48

三、蒙元之艺文理论与曲词之特质·············································· 51

四、蒙元之宗教、交通、商业与杂剧之兴盛·································· 72

第三章 元代北曲杂剧之剧目、题材与内容 ·································· 76

一、剧目著录 ········································································· 76

二、题材类型 ··········································&m