水墨画的黄金法则

图书标准信息

• 作者 马艳 著
• 出版社 北京美术摄影出版社
• 出版时间 2018-12
• 版次 1
• ISBN 9787559201812
• 定价 59.00元
• 装帧 平装
• 开本 其他
• 页数 88页

【内容简介】

本书由在日本深受好评的水墨风景画家马艳创作。全书将水墨画的基础以24条黄金法则的形式呈现，深入浅出的讲解了植物、山水、动物、人物、建筑等水墨画经典元素的绘画技巧。
全书主要由两部分构成，部分简要介绍水墨画黄金法则运用的基础，包括用作画前的准备工作、何为水墨画创作、水墨画基础表现技法等一些基本材料和技巧问题的解答。第二部分立足于24条黄金法则，介绍了具体的水墨风景画的画法和作品

【作者简介】

马艳
1967年出生于北京。毕业于中央美术学院，水墨画、油画、艺术评论专业，学习了油画和中国画。世界少年儿童艺术中心（美国）主办的《21世纪少年儿童艺术展》评审员。2006年起担任马骁水墨画协会所属的“艳墨会”主办人。2008年起多次举办包括《Bappaka狮子舞展》《野田市非物质文化遗产展》《野田的祭典》《龙神》《天地人》《Ballade》《Rouge（红）&Noir（黑）·为墨添彩》《Noir（黑）&Blanc（白）·为墨添彩》等画展。2012 年东京新闻报千叶版《千叶特色》中刊登了马艳特辑（4月23日）。2014年加入日本美术家联盟，成为正式会员。并有多部作品应邀参加公开展览。

【目录】

序
第１章 法则的基础··························7
作画前的准备工作···································8
作画用具·······································8
笔·墨·纸·砚····································8
画具的摆放······································9
磨墨的方法······································9
●法则１●墨分五色··································9
笔墨的运用方法····································10
执笔的方法······································11
●法则２●掌握能灵活用笔的执笔方法····················11
调墨的方法······································12
运笔的基础······································14
●法则３●从“书画同源”中学习·························15
先画画看吧······································16
枯草蜻蜓的画法····································16
●法则４●用题款为画作收尾······························19
何为水墨画创作····································20
●法则５●掌握水墨画的基本三要素·······················21
水墨画基础表现技法··································22
红芜菁的画法 ····································22
●法则６●用笔要有缓急变化······························23
笔头草的画法·····································24
●法则７●在构图取景上下功夫 ···························25
金鱼的画法······································26
●法则８●自学也要有计划性······························28
黑天鹅的画法·····································29
●法则９●有飞白方现水墨意境···························31
●法则10●画面要有浓淡之分······························31
第２章 实践与应用——不同题材的画法·························33
花的画法·······································34
画法解说Ⅰ 盛放的白蔷薇·······························34
●法则11●白色花朵的表现技法···························36
画法解说Ⅱ 牡丹···································38
山的画法·······································44
画法解说Ⅲ 北阿尔卑斯山远望·····························44
●法则12●风景画的构图始于底稿·························45
●法则13●活用浓墨的表现效果···························46
●法则14●晕染的技法要点·······························46
树木的画法······································50
●法则15●特殊技法——留白法···························51
瀑布的画法 ·····································54
●法则16●活用留白的效果·······························55
静物的画法 ·····································56
画法解说Ⅳ 父亲的赠礼································56
●法则17●从生活中寻找绘画题材·························57
鸟的画法·······································60
画法解说Ⅴ 飞翔···································60
●法则18●起笔顺序的原则·······························61
建筑的画法······································66
●法则19●表现远近感的方法······························68
●法则20●野外写生的方法·······························69
猫的画法·······································70
画法解说Ⅵ 暹罗猫··································70
●法则21●绘制动物时的要点······························71
人物的画法······································74
●法则22●培养“画心”·······························77
创作入门·······································82
●法则23●特殊画具的使用方法···························83
●法则24●用色彩为水墨增色······························84
作者简介·······································87