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作者张恒国 著
出版社清华大学出版社
出版时间2016-02
版次1
装帧平装
上书时间2024-08-18
素描训练是绘画的基础,素描包含着丰富的视觉艺术修养,通过手绘的方法在线、明暗、构成等方面进行训练研究,能够增强绘画者敏锐的观察力,开拓思维,提高审美修养。对于初学者来说,一定要牢牢地掌握基础的方法,打下扎实稳健的基础。
本书是一本系统介绍素描入门的基础教程,主要内容包括石膏几何体、素描静物、素描石膏像、人物肖像和速写的绘画方法,完整的介绍了素描技法的画法和要点,包括了学习素描阶段的所有知识块。该书理论结合实践,重在提高读者的实际应用能力。全书内容丰富,图文并茂,结构安排合理,通过大量的范例介绍了素描写生的入门知识、方法和步骤。可以充分提高读者的美术造型能力、观察能力和表现能力。为读者学习美术打下良好的基础。
本书结构清晰,实例丰富,分析讲解透彻、实例针对较强,本书紧扣“基础”和“实用”两大基点,是美术爱好者学习素描的入门教材,同时也可以作为美术相关专业的教材,以及准备跨入艺术院校的学生学习使用。
张恒国,美术专业出身,设计专业毕业,设计老师,热爱美术设计行业,出版多部美术类、设计类图书。
第一章 素描基础···················································1
1.素描概述························································1
2.素描写生························································1
3.素描观察方法·················································1
4.握笔的姿势····················································1
5.素描工具························································2
6.排线的方法····················································2
7.素描构图·······················································2
8.三大面五大调·················································3
9.素描绘画步骤·················································3
10.素描学习要点···············································3
第二章 石膏几何体···············································4
1.石膏几何体概述·············································4
2.六棱锥的画法·················································4
3.十字椎体的画法··············································6
4.多面星的画法·················································8
5.几何体两组合(一)·····································10
6.几何体两组合(二)·····································12
7.三个几何体组合············································14
第三章 单个静物写生··········································16
1.静物写生概述···············································16
2.南瓜的画法··················································16
3.蒜臼的画法···················································18
4.水壶的画法···················································20
5.陶罐的画法(一)··········································22
6.陶罐的画法(二)··········································24
第四章 组合静物写生··········································26
1.组合静物······················································26
2.苹果组合的画法············································26
3.杯子和梨的画法············································28
4.瓶子和梨的画法············································30
5.酒瓶和橘子的画法·········································32
6.罐子和苹果组合············································34
7.花瓶和水果组合············································36
8.陶罐和梨子组合············································38
第五章 石膏像写生··············································40
1.石膏像写生要点············································40
2.米开朗基罗头像的画法··································40
3.罗马青年的画法············································42
4.伏尔泰的画法················································44
5.鲁迅像的画法················································46
6.布鲁特斯的画法············································48
第六章 素描人像写生···········································50
1.人物素描概述················································50
2.男青年头像的画法·········································50
3.女青年头像的画法(一)·······························52
4. 女青年头像的画法(二)·····························54
5. 男青年头像的画法·······································56
6.男中年头像的画法(一)·······························58
7.男中年头像的画法(二)·······························60
8.男老年头像的画法(一)·······························62
9.老年男头像的画法(二)·······························64
第七章 半身像写生··············································66
1.人物半身像概述············································66
2.男中年半身像的画法·····································68
3.女老年半身像的画法·····································70
第八章 人物速写·················································72
1.速写概述······················································72
2.物速写作品···················································72
第九章 素描作品范例···········································78
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