Schoenberg's Transformation of Musical Language（现货，实拍书影）
Cambridge University Press 2009 edition
￥ 680 九品
仅1件
作者Ethan Haimo
出版社Cambridge University Press, Music in the Twentieth Century
ISBN9780521122740
出版时间1979
印刷时间2009-11
装帧平装
尺寸24.2 × 16.9 cm
页数444页
货号j2
上书时间2024-02-28
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Arnold Schoenberg is widely regarded as one of the most significant and innovative composers of the twentieth century. It is commonly assumed that Schoenberg's music divides into three periods: tonal, atonal, and serial. It is also assumed that Schoenberg's atonal music made a revolutionary break with the past, particularly in terms of harmonic structure. This book challenges both these popular notions. Haimo argues that Schoenberg's 'atonal' music does not constitute a distinct unified period. He demonstrates that much of the music commonly described as 'atonal' did not make a complete break with prior practices, even in the harmonic realm, but instead transformed the past by a series of incremental changes. An important and influential contribution to the field, Haimo's findings help not only to reevaluate Schoenberg, but also to redate much of what has been defined as one of the most crucial turning points in music history.
Ethan Haimo is a theorist and composer, and lectures in the Department of Music, University of Notre Dame.
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